Vincent from Alexandros

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Ned Ricks

Active Member
Joined
Dec 2, 2018
Messages
412
Good Morning, All
Just completed the Alexandros bust of Vincent van Gogh. The bust as cast has an impression of "Starry Nights" around the lower margins of the jacket which I changed.
The sculpting created a piece that was pleasure to do. The casting is excellent.

I saw on another PF thread that the Limbo version of VvG is sold out. Too bad as they would have made an interesting pair to compare.
Keep on painting,
N
Vincent Feb 2020 01.jpg
 
Hi Ned

Nice to see your posts

Vincent is certainly a popular subject

I like the way you've painted this piece ,like tge clothing colour and the hair ..what mx did you use for them ?

Why not enter a piece into FOTM ( Figure of the Month ) as well as voting in the previous month )

Thanks fir sharing

Happy benchtime

Nap

PS I moved to Completed part on PF
 
Hi, Nap –
Thanks for your kind comments on Vincent.

Regarding the various paints and mixtures of paints, I have to refer to my notes (and then try to decipher them…)

After washing, etc, I tried an idea I gained from our local model club – panel line accent paint. We are a chapter of IPMS and include the usual planes, tanks, and cars plus a few railroad guys. One of the latter was talking about how he paints the scale buildings for the layouts. He starts with Tamiya panel line accent color (https://www.tamiyausa.com/search/?q=panel+line). This is similar to really thin paint, and helets itflow into all the cracks and crevices. Sometimes, this acts as a pre-shade in recessed areas and sometimes as an outline making the segments of the model more paint-by-the-numbers. This bust is among the first efforts I have made with the product.

The panel accent worked for me in creating deep distinction in the hair and picked out the seams in the clothing such as where the sleeves are sewn on, the button holes and the detail of the buttons themselves. I had to pay attention to not obliterate these lines when painting.

The face was under coated with Humbrol H61 and H147 mixed to a pale skin tone. The jacket was undercoated with H87, the shirt with Model Master light ivory and the vest (waistcoat) with H87. The first color in the eyes was Model Master enamel “sand.” Then the pupils were marked with Model Master raw umber, and later with H44 for color.

Model Master “wood” was the first dry brush on the hair and subsequent applications were wood + Testors light brown, sometimes lightened with H147. Various combinations were used on hair, brows and beard to give slight differentiation.

To finish the face, I used an oil mixture that, I think, I found on this forum. The base mixture is burnt sienna + titanium white. For shadows, the above is mixed with sepia, and highlights get more white added. The cheek bones get just a tiny bit of rose into the base mix.

Returning to the jacket, a basic mixture of cobalt blue and Naples yellow with shadows and highlights seems to match the colors in his self portraits. The shirt got a very pale version of the same mix.


A touch of white enamel on the eye makes the catch light and a thin line of Model master light flesh ads the pink rim. The eyes are made “moist” by a dab of Aleenes Liquid Urethane Adhesive (see Amazon or craft stores). The product formerly known as Future floor polish also works.

Thanks for asking.
N
 
Nice work you really captured the haunted expression I always associate with Van Gogh.

Gary
 
Gents -
Thank you for your kind comments.

Kirk Douglas died this week who did such a great acting job as Vincent in Lust for Life.
N
 
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