Roy,
Simply OUTSTANDING!
What a wealth of 'how-to' for us newbie sculptors. What technique do you use to smooth out the putty (sorry if I missed the answer to this)?
-jim cox
Hey Gary,
Thanks for doing this sbs, I'm sure it will prove to be very helpful. I would be very interested in exactly how you approach the drapery (clothing). Reguardless, I'll be watching this thread intently! Thanks again.
-jim cox
Quang,
Thanks for the tip. So would the tail go below the quill work collar or above it as it is now without the fastener (just draped over)? I'm thinking it would probably be below and the quill work sewn on top of the hide to connect the front/back pieces (same with the shoulder quill work)...
Oops sorry. The properties are the same as mixing super sculpey with sculpey III like Gary does (without the finger cramps). It has a firm feel, blends well and is very opaque. Ordered 5lbs (their minimum) and love it. Hope that helps.
Marc, I've always been a big fan of Quang's indians and I...
Thanks everyone. I hope to have her painted in the near future. Still have a few touch-ups though.
Joe - I used mostly gray sculpey ordered from an online site I found on the clubhouse forum.
-jim cox
Hey all,
It's been a while, but here's my latest attempt. This is bust of Sacagawea with her son (Pomp). It's based losely on the one dollar coin image.
-jim cox