About ring mail

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Calvin

A Fixture
Joined
Nov 2, 2004
Messages
945
Location
Uhu?
Hi,
not sure if this post must be here or in painting, anyway my question is the following.
I noticed that some (ring) coat of mail are almost 'transparent', meaning the undercoat colours and drawings could be 'easily' seen. But is spite of this, I never seen a figure emulating this.

P7270753.jpg


I have no idea on how do it (sic!), and yes I know all the stuff about the scale, the global perspective, etc., but seeing what people 'emulates' while painting (or sculpting) I was wondering about that.
 
Hi Luca, all mail will show through the colour of what is underneath, one just tends to notice it more in some cases than in others, particularly if it's worn over something colourful obviously. Worn over a natural linen gambeson on the other hand (as would be most typical for the entire mediaeval period) it's just much harder to see and over time it will develop a dirty weathered surface that will lessen the effect still further.

Fellow modellers and I have talked about this effect a number of times over the years and the general consensus is that while it would be good to try to replicate the effect we don't think it's possible to do it practically, especially in small scales... but you're welcome to try! lol I think if you did want to do it the best way I think would be to undercoat in the colour, then carefully drybrush with a dark steel colour or black, then lightly drybrush on top of this is a polished steel/silver to try to maximise the three-dimensional illusion of the sculpted rings while leaving the colour visible in the recesses. A uniform, sharply-sculpted and well-cast mail texture would be vital to the success of this effect and frankly I would only attempt it at a large scale.

By the way, in English at least, it's just mail - terms like 'ring mail' and 'chainmail' are redundant :)

Einion
 
I'm definitely no expert, and I hate to bring up scale, but if you take that picture and size it down to 54mm, you probably wont see much, if any, of the color through the mail. In bigger scales, maybe. But I would like to see someone replicate that. It would be neat.

Brad Spelts
 
Hi guys,
What timing! I'm just starting the old Fort Duquesne El Cid bust.
It's huge and has a lot of chainmail on it.
I'm really going to have to think about trying this!
Thanks,
Craig
PS: Actually, I'm restarting this one. It's been giving me a lot of problems and I've have to strip and reprime it several times so far :( . I was going to paint the chainmail areas black last night but wasn't able to get around to doing so.
Talk about lucky :) !
 
An interesting proposition, trying to create this effect on a figure. However, I’m not sure this mail is made in the same way as medieval mail was, based on looking at the photo.

We know that good mail was made from rings of wire, each ring linked to four or five others and the open ends flattened and riveted. This mail looks like it has been made from modern split washers - a common method of easily reproducing mail for re-enactors. It also looks like it has been made up in rows. Genuine medieval mail is heavy and dense (the riveted ends add to the bulk), and examples in our local museum are certainly not as "transparent" as that shown.

IMHO the mail pictured is more for dress effect than anything else. I doubt it would survive a glancing blow from a rolled up copy of "Figurines" let alone from a falchion on the end of a muscular arm.

Cheers

Phil
 
I had a chance to Google chainmail and found a few pictures that may prove useful....
coif-2.jpg


another...
chain-shirt-4.jpg


I don't really know anything about chainmail but these look pretty heavy compared to that shown in the origional post.
What do you folks think ?
Craig
 
Hi Alan,
thanks for the feedback. Maybe what I need to do is post a pic of the bust I'm doing and let you all chime in with your thoughts :).
So I'll try and do that tonight or tomorrow.
Thanks,
Craig
 
Thanks for your replies.

The only mail I ever seen 'live' is a repro from 'Il Museo del Soldatino' of Calenzano (Firenze). I can assure that the mail is heavy enough (more than 15Kg) and hearing the museum's director, such mail has been reproduced using the same techniques of 1200/1300.

luca_fabrizio.jpg


Also it's true that mails of 1400/1500, like the one in the first post, was of a more light type. The guys from La Compagnia del Leone also says that thay are reproducing mails and armours according to original pieces, but I'm not an expert about that and every info you give is really appreciated.

BTW (but without starting another war please!!!, it's only an anecdote!) about 'accuracy' and how swords are currently painted, Fabrizio (the museum's director) was telling me that the 'real' swords was covered with a mix of fat and horsehair, to avoid to get rusty (such iron was not like the modern steel). So, if not by the cut, the wounded guy will die for an infection... (where 'cut' is just a metaphor..., because such swords was not for cutting, but to shatter, seeing the rest of skeletons, only the point of the sword was sharped, to drive the 'coup de grace'...).

Luca
 
Luca

I too have heard that animal fat was used to prevent corrosion on weapons and plate armour. Over a long campaign, with variable weather conditions and continual use, its not hard to imagine that armour wouldn't have kept it's parade-ground shine very long - and in hot weather the smell must've been something else :lol:

Cheers

Phil
 
Originally posted by Brad S+Jun 3 2005, 02:53 PM--></div><table border='0' align='center' width='95%' cellpadding='3' cellspacing='1'><tr><td>QUOTE (Brad S @ Jun 3 2005, 02:53 PM)</td></tr><tr><td id='QUOTE'>I'm definitely no expert, and I hate to bring up scale, but if you take that picture and size it down to 54mm, you probably wont see much, if any, of the color through the mail. [/b]

One should Brad, scale distance should definitely be borne in mind, as with anything else we paint.

Originally posted by Mongo Mel@Jun 3 2005, 02:54 PM
What timing! I'm just starting the old Fort Duquesne El Cid bust.
It's huge and has a lot of chainmail on it.
I'm really going to have to think about trying this!
Given the way the mail was made on the master for this kit I don't think it would work practically but give it a try and see what you think.

Originally posted by Mongo Mel@Jun 3 2005, 02:54 PM
Actually, I'm restarting this one. It's been giving me a lot of problems and I've have to strip and reprime it several times so far :( .
Stripping this mail must have been quite some job! I would suggest you use a combination of careful drybrushing and washes to do the mail, that's usually the best way to do it and it should work well on this.

Originally posted by nagashino@Jun 3 2005, 03:49 PM
I’m not sure this mail is made in the same way as medieval mail was, based on looking at the photo.
Hi Phil, other than the light colour it could easily be a good replica.

Local museums tend to have munition-quality stuff; inner and outer ring measurements of extant mail are used by some mail makers to reproduce the correct appearance and some would look just like this. Even accounting for wear during use that would thin the wire, some mail (even from the Roman era astoundingly) was incredibly fine. The aventail of the Coppergate helm, now restored, looks a lot like this (this is roughly late-6th century if original to the helm) and there is mail in the British Museum and the Wallace from various eras that is quite 'transparent' looking - I'm looking forward to seeing if the Higgins has some good examples to view.

As a general rule the finer the mail the more expensively produced it was and despite the thinner wire the fineness of the weave provided, on average, a greater level of protection (in combination with the right undergarments of course) depending on the blow and the weapon.

Originally posted by nagashino@Jun 3 2005, 03:49 PM
We know that good mail was made from rings of wire, each ring linked to four or five others and the open ends flattened and riveted.
Actually really good mail was made from one solid ring (punched out) joined to four riveted rings for maximum strength :) Butt-jointed mail has a bit of a bad press, some of it was actually very good and took longer to make than riveted because the cut ends were welded back together!

<!--QuoteBegin-nagashino
@Jun 3 2005, 03:49 PM
This mail looks like it has been made from modern split washers - a common method of easily reproducing mail for re-enactors. [/quote]
To my eye this looks like it's made from galvanised fence wiring (or stainless) which is also popular and accounts for the lighter colour. Mail made from washers tends to have a distinctive look and lays much like the mail in the LOTR movies because of the flat section.

Einion
 
Originally posted by Calvin+Jun 3 2005, 05:23 PM--></div><table border='0' align='center' width='95%' cellpadding='3' cellspacing='1'><tr><td>QUOTE (Calvin @ Jun 3 2005, 05:23 PM)</td></tr><tr><td id='QUOTE'>The only mail I ever seen 'live' is a repro from 'Il Museo del Soldatino' of Calenzano (Firenze). I can assure that the mail is heavy enough (more than 15Kg) and hearing the museum's director, such mail has been reproduced using the same techniques of 1200/1300. [/b]

That mass for this size of shirt is about right so the wire should be about the right gauge, hence the appearance should be correct.

<!--QuoteBegin-Calvin
@Jun 3 2005, 05:23 PM
BTW (but without starting another war please!!!, it's only an anecdote!) about 'accuracy' and how swords are currently painted, Fabrizio (the museum's director) was telling me that the 'real' swords was covered with a mix of fat and horsehair, to avoid to get rusty (such iron was not like the modern steel). So, if not by the cut, the wounded guy will die for an infection... (where 'cut' is just a metaphor..., because such swords was not for cutting, but to shatter, seeing the rest of skeletons, only the point of the sword was sharped, to drive the 'coup de grace'...). [/quote]
Ah... one has to be careful about museum staff's interpretation of weapons and their use from their sometimes limited practical experience of things - some are much more knowledgeable than others but many are sedentary and you might read comments that a sword is 'heavy and unwieldy' when an experienced swordsman would find them light and properly balanced!

The horsehair and fat is, I'm sure, a reference to the lining of the scabbard - in northern Europe unwashed wool was used in a similar manner because of its natural lanolin content. The primary function of this is the keep the blade from rusting, secondary effects of wound infection would just be a bonus! Later on - because of fashion and slimmer blades - scabbards I think were most frequently made of wooden laths bound in leather, until leather only was used for swords like the rapier.

My first question about a comment that swords were 'blunt' is, at what date? Then define blunt :lol: Sword forms changed a lot from the early mediaeval period through the 13th/14th century and into the 16th and their form reflected the way in which they were used - strongly-pointed swords are intended as thrusting weapons, parallel edges with a shallow taper at the point indicate a cutting/slashing technique was used and there are 'cut and thrust' swords used with a combination of techniques. I can assure you some period weapons were very definitely sharp - the Viking sagas and other written accounts make it plain that fine swords were quite capable of doing what we'd imagine a sword could do :) and the remains in the mass grave at Wisby and other battlefields show that a good sword in the hands of a skilled swordsman could easily strike a lightly-protected limb off.

As for the coup de grace, the dagger began to be carried for this express purpose it would appear - the name of one type, the misericorde, makes their use plain. As cold blooded as it sounds, their stiff, slim blades were designed to be able to go through the vision slits of a helm, which was the easiest way to kill a downed man in armour.

Einion
 
As cold blooded as it sounds, their stiff, slim blades were designed to be able to go through the vision slits of a helm, which was the easiest way to kill a downed man in armour.
This kind of 'refinements' is just one of the reason for which I love this period... :lol: (do you know the 'Murder Considered as One of the Fine Arts' by Thomas De Quincey ?).
Seriously, I think that an absolute different culture and environment was needed to form such knights, able to fight this way. Such difference is what intrigues me about that period.
 
Hi,
I got a chance to look at the mail on the El Cid bust this morning. It's beautifully done and sculpted very dense. So as Einion said, it doesn't look like it lend itself to trying this idea. Too bad as I think this would have been interesting to try :( .
Actually stripping it wasn't too bad. I use Chameleon brand stripper and it works great. Due to the size of this bust, I opted to use the gel type stripper. I just paint it on, let it sit for about 10 minutes and then scrub it off under warm water using an old toothbrush. It took maybe 3 applications to get about 95% of the paint and primer off of the figure.
Thanks for the info guys.
Craig
 
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