Completed Boromir

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MaxTheDoc

PlanetFigure Supporter
Joined
Apr 6, 2015
Messages
54
Location
Italy
Hello to everyone
After the "welcome aboard" this is my first post on planet.
This and the two that follow are my latest works.
Boromir, from the "Lord of the Rings", a Knight Models bust.
Boromir_0002_A.jpg
Boromir_0006_A.jpg
Boromir_0014_A.jpg
Boromir_0010_A.jpg

Because I'm never satisfied with the work I've done, any criticism is however well accepted.

Max
 

Attachments

  • Boromir_0002_A.jpg
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  • Boromir_0006_A.jpg
    Boromir_0006_A.jpg
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  • Boromir_0010_A.jpg
    Boromir_0010_A.jpg
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  • Boromir_0014_A.jpg
    Boromir_0014_A.jpg
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Hi Max,

Great work mate, all the basic elements are there and you've added some wonderful details on the cloak and the leather gerkin.

In the interests of providing you with some constructive feedback and help you improve, I think you can improve the overall quality of your painting by applying my contrast to your painting.

In general, I think your highlights could be higher and your shadows deeper.

This applies over the entire bust, but especially in those places where such extremes are justified. For example, the hair looks a bit monochromatic. It could be made to look a bit more life like if you applied some lighter highlights on the top of his head and applied some very thin lines of lighter colour to give his hair a bit more variety.

In regards to shadows, any part of the bust that is hidden under something else, and is therefore not exposed to direct sunlight from above, is almost certainly going to be a very dark, if not black colour. The silver Gondorian cloak clasps for example would look much better if the silver colour was contrasted by a darker black colour.

I would recommend you try using the Stop Sign Rule, developed by Shep Paine, as a guide to finding a pleasing balance between shadows and highlights and getting a realistic contrast.

Ultimately it comes down to what pleases you and what you feel looks right. Pushing the contrast to unnatural levels may not feel right at first, but it certainly makes your figures and busts "pop".

Good luck
 
Photo Q for you mate!
Crackin job on the busts.
What camera settings are you using to get the close ups?
Not that it likely matters but what camera are you using?
Keep up the great work.
Cheers from Cumbria
Jonathan
 
Thanks to all for the comments.

I reply to Tony:

It’s true.
In fact the contrasts are one of my painting problems. I know the Stop Sign Rule but I have the impression (or fear) that pushing too the contrasts the figure becomes unnatural and unrealistic. For this I will try to paint fantasy miniatures also, where the realism is relative.
Another problem arises from the ability to smoothing the tones, more sharp is the passage from the maximum light and the maximum shadow and the greater must be the ability to merge the levels. I have to learn yet.

Reply for Jonathan

The camera it’s a Nikon D3200, a gift of the last Christmas, with a Tamron 70-300 mm used at 180 mm macro, original picture in RAW format, f16, ½ sec , white led light 5450K.

Max
 
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