Cenyurian Bust

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Mongo Mel

A Fixture
Joined
Aug 19, 2003
Messages
862
Location
Pittsburgh, Pennsylvania
Hi guys,
Here's another piece I did. It's the Centurian bust from Andrea.

normal_Centurion.JPG


I consider this to be the first difficult piece that I ever did that turned out well.
It's white metal with a resin cape.
The original head piece consisted of the curved block with feathers but I decided to change it for 2 reasons.
First, the construction of the block didn't thrill me. I felt that its quality didn't match the rest of the piece. And the support post for it wouldn't have held up well to the rigors of travel, what with the weight of all those white metal feathers.
Second, I found a photograph of a reenactor that must have been the inspiration for this piece. He has the same face as the bust but with a head piece more like the one you see here.
I made the block by laminating several pieces of sheet polystyrene and carving them to the required shape. And there is a verticle rib of styrene to aid in attaching the hair.
The hair was made by glueing Woodland Scenics Fall Grass the this rib.
The support post is a piece of square brass tubing, slit part way down from the top and bent to suit. This has a brass rod inside it, extending up into the block for support. The ends of the block had short curved pieced of brass wire heated and pressed into them. I then added some scrap pieces of PE brass to the helmet and used soft soldering wire to represent the leather strips used to tie the head piece to the helmet.
The detail on the front rim of the helmet was removed and re-detailed with soft solder wire and the heads of small pins to duplicate the one on the reenactor.
This was a pretty major conversion for me to try, especially considering the cost of the piece , but I'm glad I did it. I think it makes mine just a little bit different from the rest.
As always, comments and especially constructive criticisms are welcome.
Thanks,
Craig
 
Absolutely Stunning Craig!!!
You have done a splendid job on your conversion. Who would of thunk it to use Woodland Scenics grass to do the plume. This sure does inspire me to try some things with the Woodland Scenics I have.

Great Work (y)
 
Hello Craig,
How about some more details on the "drying box". I don't get over to Armorama much and would love to know more about it.

guy
 
Craig,

Like John and Guy already said, the crest looks good!

I also like the mute, almost under-emphasized (?) yet realistic painting.

If there's one thing that can be improved, it would be the base. IMO the bust would look better on a square-based pedestal roughly the size of the torso section (minus the sleeves). That would elevate the figure and put the attention on the face.

Great work, though (y)

Quang
 
Hi guys,
Thanks for the comments. Much appreciated
Keith, I glad to hear that the drying box is helping out. My carpentry skills are pretty bad too but as long as it works...hehe
I agree with you on the mail. If I remember right, I did the mail by painting it the gunmetal color, added a wash of black and did a little light drybrushing with silver.
I'd probably do it by painting it black first and brush it up with the gunmetal/silver colors now.
I did this a few years ago now and I tend to add more contrast to my painting now.
That said, I appreciate the compliment Quang. I've never really gone for that over emphasized look that's popular on the smaller scale figures. I think the large scale busts suffer from that style of painting.
Maybe that's why I don't do very well at the big figure shows..hehehe. Couldn't be any other reason, like my poor painting skills
Ok..getting serious again...I know what you maen about the base Quang. I've always had a hard time picking the right base for the right bust. I liked this one for the fact that there wouldn't be a lot of unused surface front and back like there would be with a round base (look at my Greek bust and you'll see what I mean).
But the square base that's the same size as the torso sounds like a good idea. I'll keep that in mind for future works. Thanks
Guy, I learned about the drying box from Shep Paines painting class. He talks about using a cardboard box but that scares me too much. I have visions of it smouldering in the middle of the night and catching fire.
My drying box is just a wooden box that I built. It origionally was also used to transport my figures. But now it is used strictly as a drying box. I just put the figure and a 60 watt lightbulb in it and close it up. The heat from the lightbulb really speeds up the drying time on the oils. Most colors dry within 12 to 24 hours. And some take even less time. With resin and metal figures, the heat has never
bothered the figure but I'm careful with polystyrene plastic and with very thin pieces.
If I get a chance, I'll take a picture tonight and post it tomorrow.
Thanks again to you all for taking the time to comment. I appreciate all your suggestions.
Craig
 
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