With the local tones well established for the torso, I moved on to the painting of the head.
Taking advantage of the damp surface of the retarder, the alla prima technique was utilized to concurrently build up the local color and establish general highlights and shadows.
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A preliminary placement of highlights is established with a light mist of flesh - mixed from Naples Yellow, Cadmium Orange, Burgundy and again a touch of Hookers Green.
Deciding to airbrush the flying cap as a time conservation measure, I saturated the face with the paint retarder so that any oversprays could either be removed with a dry brush or manipulated into the shadow areas.
Taking advantage of the damp surface of the retarder, the alla prima technique was utilized to concurrently build up the local color and establish general highlights and shadows.
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