.
I've been fortunate this week to be granted some spare time to commence on another bust by Young Miniatures. Struck by the addictive fun of hearing the parts go "click" as they come together (a reminiscence of the Magnalock feature in Starcom toys from the 1980's), magnetic interfaces were implanted to all the adjoining components of the kit.
For detailed painting, parts were attached to a metal rod for greater flexibility and articulation.
The overall bust was given a ground color of Prussian Blue applied with an airbrush. This is followed by orange for the face and some random areas around the great coat. Instead of unloading the orange from the paint reservoir of the airbrush, Park Green and Pastel Blue was added to create a suitable tone for the great coat.
Small amounts (no more than 20%) of acrylic paint retarder were mixed into the paints to increase their working time. This allows more colors to incorporated and manipulated. The paint retarder helps to break the surface tension of the water and greatly enhances paint flow and adherence. The slow drying also prompts the paint to spread more evenly, reducing traces of brush strokes and water marks.
The right of the face demonstrates the smooth results from two passes of the retarder added paint over the darker ground color. The left side shows the opaque coverage obtained with repeated passes.
The opaque build up of colors, tones and shades.
The retarder also causes a slow coagulation of the paint as it dries, giving it a buttery like consistency ideal for feathering.
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I've been fortunate this week to be granted some spare time to commence on another bust by Young Miniatures. Struck by the addictive fun of hearing the parts go "click" as they come together (a reminiscence of the Magnalock feature in Starcom toys from the 1980's), magnetic interfaces were implanted to all the adjoining components of the kit.
For detailed painting, parts were attached to a metal rod for greater flexibility and articulation.
The overall bust was given a ground color of Prussian Blue applied with an airbrush. This is followed by orange for the face and some random areas around the great coat. Instead of unloading the orange from the paint reservoir of the airbrush, Park Green and Pastel Blue was added to create a suitable tone for the great coat.
Small amounts (no more than 20%) of acrylic paint retarder were mixed into the paints to increase their working time. This allows more colors to incorporated and manipulated. The paint retarder helps to break the surface tension of the water and greatly enhances paint flow and adherence. The slow drying also prompts the paint to spread more evenly, reducing traces of brush strokes and water marks.
The right of the face demonstrates the smooth results from two passes of the retarder added paint over the darker ground color. The left side shows the opaque coverage obtained with repeated passes.
The opaque build up of colors, tones and shades.
The retarder also causes a slow coagulation of the paint as it dries, giving it a buttery like consistency ideal for feathering.
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