new from Romeo Models 75mm

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Zastrow.cuirassier

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New from Romeo Models
RM75-055
RM-75-055_1new.jpg


Samurai Warrior c.1590
Sculptor : Gianni La Rocca
75mm Metal
RM-75-055_2.jpg
RM-75-055_3.jpg

RM-75-055_4.jpg

More info ?
http://www.romeomodels.com/product_info.php?products_id=275&osCsid=737e8d3fe5fa947ffc3d508a58e0d6b3
 
Hi
Got to ask ......Why a third sword.....not a Samurai expert by any means
Just got a passing interest but never seen anything on Japanese prints
of a sword carried on the back as well as the customary two

Frank
 
Hmmmmmmmmmmm,indeed.It must be one of the least attractive commercial samurai I have ever seen,quite inaccurate too.Shame though for La Rocca is quite accomplished.This one looks as if it was done in a hurry.Sorry but I'll pass this time.

Oda
 
Shame though for La Rocca is quite accomplished.This one looks as if it was done in a hurry.

Yes I was very surprised when I saw his name attached to it, because he's done some good stuff in the past.

- Steve
 
Well there maybe woodblock prints showing such a configuration but anyone who has seen a nodachi would immediately grasp that it is almost impossible to carry it like that and still be able to unseath it(due to its great size you see).At least one Japanese authority that comes to my mind maintains that nodachi were always carried by a paige who -when action was imminent -would hold firm to the lower part of the saya(scabbard) while his lord would draw the blade out.Keep in mind that woodblock prints are pieces of heroic art and often exagerate the things a warrior could do or carry.That said,the nodachi on his back is by far the less inaccurate part of the figure and it could be very well accepted as a heroic convention.There are more serious problems with the kote(armoured sleeves) while the kusazuri or more properly gessan(the fauld like appertures below his waist) are absolutely unacceptable as is the rendering of the kebiki odoshi(closed spaced lacing).Again it looks as if the figure was hastily sculpted.Of course all this is just an opinion.If anyone likes the figure and is inspired by it then that's all that matters.Personally I think that the 54mm samurai the same company had produced a few years back is one of the best in the market and a definite must have for any samurai enthusiast or any person seeking to paint a decent samurai without worrying too much for mistakes.

Oda.
 
Wow, hornets nest stirred and all that!

Oda is right about the nodachi usually being carried by a retainer, but carrying the sword on the back was was known in the Nambokucho period, 1333-1391.
Let me quote Kanzan Sato's book "The Japanese Sword";

"The swords of the Nanbokucho period represent the culmination of the tendency towards greater length which began to manifest itself at the end of the Kamakura period. Naturally there are still tachi of normal size but, generally speaking a length of from 90 to 100cm became the norm". ...... "Some of the so called otachi (great tachi) were as much as 1.3 or 1.5 metres long; they are also known as seoidachi (back-carried tachi) because they were borne into battle carried over the shoulders (my emphasis), rather than slung at the waist. It is recorded that when in actual use they were wrapped in cord down to the middle of the sharpened part but it is not clear what practical purpose was served by this measure".

These larger swords were used, similarly to the western broadsword, for cutting horses legs to bring down the rider, or to clear large groups of enemy samurai or ashigaru.

Although the use of these weapons had died out by the 16th century (which the model seems to represent) A samurai of that period, commonly trained in the use of all the martial arts, would however presumably still have been aware of the history of these weapons and could have owned them if passed down by the family. I don't think it is beyond possibility that some were used. (Rather fancifully, a massive sword is shown being used in the Sengoku period wielded by three samurai in the the film samurai Banners!).

Besides Oda's issue with the lacing, I see no fundamental problem with this figure, although I agree it does not really appeal to me as a figure. What I have bigger issues with is the use of the Jinbaori in this situation. The Jinbaori (or camp-coat) was only intended to be used in the commanders camp area, as identification among a number of high ranking samurai wearing full armour ( a safer and more comfortable version of the banner worn on the back during battle). Unless the camp was breached (which rarely actually happened historically), the Jinbaori would be removed when fighting. Model manufacturers however seem to use this garment at every given opportunity.

But then again, due to the complexity of armours and lack of any uniform regulations in old Japan, my maxim when dealing with samurai is "never say never" (unless travelling back in time has been indicated). It's rarely a case of "that never happened" more like "that seems unlikely".
 
Not jumping through hoops over this one, very expensive again in comparison to other manufacturers of similar scale in white metal!

Tommi
 
Not jumping through hoops over this one, very expensive again in comparison to other manufacturers of similar scale in white metal!

Yes Romeo have always been pricey compared with others. They've done some nice stuff in the past, but some of their more recent releases have been very ho-hum. This one continues that trend.

- Steve
 
David covered the subject very well.Again I should stress the fact that the kusazuri should be made of individual lames laced together vertically.If you take a closer look to the photos especially where the section of the fauld can be seen there appear to be no lames at all,just a large rectangular piece where the lacing is purely decorative and not functional.As for the nodachi,as David said,it can be slung at the back but whether it can be drawn from such a position is another matter and I am saying this as the owner of a katana slightly bigger than average(it is impossible to draw a larger than average katana in this style letalone the much bigger nodachi).The only Japanese sword that can be drawn easily from the back seems to be the short,usually straight bladed version of the katana commonly associated with the ninja.
Finally a bit more on the kote.This specimen appears to be a variation of a style known as Oda-gote although a rare one (that is if the sculptor used an existing example as a model and didn't just elaborate on a general idea).I surely don't claim to have seen every museum item there is but this example just doesn't persuades(then again that might has to do something about the unusual colours-cream coloured lacquer???).As for the jinbaori David is absolutely right I think.

Oda.
 
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