here I report Pepe step by step of news
The Commander from manufacture Bestsoldiers www.bestsoldiers.com
Authomatic Traslation
I start this small step with the later BestSoldiers, modeled by Antonio Zapatero in 75mm. The figure is clearly inspired by the character in the movie Master and Commander. It has two versions, one bareheaded. And the other with classic bicorno of the British Navy. No objection regarding reserve requirements. The casting is of high quality, just a little putty to cover the few logical flaws white metal casting.
I decided to make bareheaded for prove yourselves more attractive.
The idea occurred to me to bring you this piece is to a section of the ship to put it into action. To which I redid the step which supports the foot, stair startup mode, and will be completed cordage and ropes own these ships.
You already know me on the issue of documentation. I leave some sheets clarify uniformity, their textures and colors and scuffs that looked subjected these garments. We can say that we have a good figure of classical and in the purest historical line.
TO BE CONTINUED......
Great subject,the Georgian navy.I am not so sure though if the sword was suspended so parallel to the ground.Perhaps members with more expertise on the subject could enlighten us.
from FB Ppe Gallardo El siguiente paso ha sido la imprimación de la figura, despues de limpiar líneas de molde y pulir todo el metal. He usado los acrílicos de Tamiya con aerografo, Blanco mate y Negro Mate. Cada vez es mas difícil aportar algo nuevo a nuestro hobby, ya que prácticamente todo está hecho e inventado, veo mas gratificante y hasta divertido, mezclar técnicas, lo que podemos considerar que en otras ramas modelisticas sirve, se puede utilizar y aplicar a otras y viceversa. En este caso le dí iluminación cenital a la figura con pintura blanca, para posteriormente delimitar las sombras disparando con el aerografo desde el lado completamente opuesto a la luz cenital. Esto nos define mejor las luces y las zonas de sombra. ¿porque? el uso del blanco, para usarlo como lienzo, la zona de pintura que este afectada por el fondo blanco será más luminosa en su acabado y lo contrario pasará con la zona influenciada por la imprimación negra. El escenario, esta imprimado en blanco para intentar obtener el acabado madera a partir del uso de las tintas. Todo en su momento. CONTINUARA...
AUTOMATIC TRASLATION The next step was the primer of the figure, after cleaning mold lines and polish all metal. I used Tamiya acrylic airbrush, Matte White and Matte Black. It is increasingly difficult to bring something new to our hobby, as virtually everything is made and invented, I see more rewarding and even fun, mixing techniques, we can consider that in other modelisticas branches serving, it can be used and applied to other and vice versa. In this case I gave the figure overhead lighting with white paint, to further define the shadows with the airbrush shooting from the completely opposite side to the overhead light. This better defines us light and shadow areas. why? the use of white, to use as a canvas, this painting area affected by white background will be brighter in its finish and the opposite will happen to the area influenced by the black primer.
The stage, primed blank is to try to get the wood finish from the use of inks. All in good time
This a a great figure, with a choice of how you want to present it, which makes it a winner in my book.
I really enjoyed the film, and new someone who provided a lot of info to the Director.
Some of the accouterments worn by the actors where actually originals. I heard one or two items did not get returned after the filming was complete.
So I'll be following this with great interest.
And of course I will be purchasing the kit as soon as possible.
STEP 3 Pepe Gallardo ha aggiunto 5 nuove foto all'album: BRITISH ROYAL NAVY OFFICER - III. 8 maggio alle ore 16:01· Este W.I.P. o paso a paso, no lo he basado en la pintura de la cara porque es algo ya mas que presentado y conocido a día de hoy, habra otros elementos y sus texturas que trataré mas detalladamente.Podéis observar aquí el color de base de la piel y su posterior acabado dando luces y sombras siguiendo el patrón de iluminación cenital.El color del pelo será matizado a lo largo de los próximos procesos para restarle el acabado amarillento por otro mas ocre. También puede verse el tratamiento del chaleco contrastando arrugas y volumenes para darle protagonismo en esta zona de la figura. Estas prendas estaban muy expuestas a las inclemencias del tiempo y del servicio lo que hacía que se desgastarán hacia colores alejados del blanco inicial de su confección. Se puede ver el trabajo de la corbata y de la camisa en tonos fríos que contrastan con el color cálido del chaleco.Pienso que un Oficial de la Armada Británica se cuidaría muy mucho de perder un botón de su uniforme, con lo cual en próximos pasos veréís que el botón ha sido añadido al chaleco.Comentar también, que todas estos fotos están hechas con la cámara del movil. Las fotos finales se harán con cámara reflex.Continuará.... This w.i.p. or step by step, I haven't based on the painting of the face because it's something else that already submitted and known to this day, there will beother elements and their textures that I'll try more in detail.You can see here the base color of the skin and its subsequent finished giving lights and shadows following the pattern of lighting.The Color of the hair will be looking over the course of the next processes to reduce the over by another more yellow ochre.You can also be seen in the treatment of the vest contrasting wrinkles and volumes to give prominence in this area of the figure. These clothes were very exposed to inclement weather and the service what he was doing that will erode away towards the colors of his initial white clothing. You can see the work of the tie and the shirt in cool tones that contrast with the warm colour of the vest.I think an officer of the British Navy will take care very much about to lose a button of his uniform, with which in next steps you will see that the button has been added to the vest.Comment, too, that all these photos are made with the camera on the cell phone. The final pictures will be taken over by reflex camera.Will continue....
STEP 4
FOLLOW ALSO Podemos apreciar aquí el proceso de ilumación de una prenda blanca, en la que partiendo desde un color muy alejado del color blanco vamos trabajando e iluminando las zonas extensas y tambíén las zonas comprimidas donde se pinzan las arrugas para que la prenda en cuestión vaya adquiriendo su acabado real.
Como consejo deciros que en éste proceso nunca se ha utilizado el color blanco. Las luces mas altas se han conseguido con color Hueso.
Parte de las texturas, así como las líneas de costuras del pantálon estan reforzadas con un juego de luz-sombra, ya que algunas no vienen del todo modeladas.
Continuará... We can see here the process of ilumación of a white garment, which starting from a very far away from the color white come on working and illuminating the vast areas and also the areas where it is compressed pinzan wrinkles to the garment in question is his Done for real.
As the council to tell you that in this process has never been used the color white. The highest lights have been achieved with color bone.
Part of the textures, as well as the lines of pant seams are reinforced with a game of light-Shade, as some don't come from the all modelled.
Will continue...
STEP 5 ocasión hablaremos del color de la chaqueta y el inicio del hilo dorado.
Para la chaqueta es importante buscar un acabado mate propio del paño que representan estas prendas. Los colores de Andrea y Scale 75 son los más idóneos para estos menesteres por su opacidad. Se puede apreciar en las fotos que son necesarias varias capas para que el color tape por completo la superficie. Para el hilo de oro podemos usar cualquier sombra tostada ligeramente matizado por amarillos y ocres.
El Azul Marino, Azul Prusia, etc... es un color que en vez de reflejar la luz, normalmente la absorbe lo que nos facilita la iluminación ya que en pocos pasos podemos obtener buenos resultados, por contra dificulta el proceso el hecho de matizar en exceso el color con azules, motivo que puede dar apariencia de un azul excesivamente "electrico" el cual no sería del todo real, para estos casos prefiero usar turquesas para iluminar el color.
Podéis apreciar el acabado de la chaqueta en las fotos finales de éste capítulo....
CONTINUARA..... 'll talk about the color of the jacket and the beginning of the golden thread.
For the jacket, it is important to look for a Matt finish own of the cloth that represent these clothes. The colors of Andrea and scale 75 are the most suitable for these things for your opacity. You can see in the photos that are needed in several layers to the color cover the entire surface. For the thread of gold we can use any shade toast slightly tinged with yellow and ochre.
The Navy Blue, Prussian Blue, etc... It's a color that instead of reflecting the light, usually the absorbs what we facilitates the lighting because in just a few steps we can get good results, by against slows down the process. The fact of shading in excess with the color blue, reason that can give Appearance of an overly "Electric Blue" which would not be real at all, for those cases I'd rather wear turquoise to brighten up the color.
You can see the finish of the jacket in the pictures the end of this chapter....
To be continued.....
a de colores alguno que ya conozca que se a ciencia cierta que va a satinar dicha mezcla, esto le confiere al resultado final una apariencia ligeramente satinada que aporta un aspecto muy real a este tipo de textura.
En la foto de la paleta usada podeis apreciar colores que han intervenido en éstas mezclas. Siempre aconsejo trabajar intensamente sobre nuestra paleta, antes de decidir poner el pincel sobre la figura, tener decidido en la paleta luces, sombras y hacer variaciones posibles, por eso, a no ser que estes pintando tus primeras figuras, las recetas con porcentajes o gotas, apenas te van a aportar conocimientos sobre el color, es mejor estudiar y aprender sobre el Círculo Cromático y trabajarlo en directo sobre tu paleta de colores.
Un color que encuentro muy interesante para desgastar el color cuero es el Marron caqui de Vallejo.
Y de entre los satinados, algunos de citadel, y otros como Negro Satinado de Andrea y Marron Cuero Oscuro también de Andrea.
CONTINUARA... hat is going to satin this mix, it gives it to the end result a slightly glossy appearance that brings a very real aspect to this type of texture.
In the photo of the palette used can see colours that have been involved in these mixtures. Always advice to work hard on our palette, before deciding to put the brush on the figure, have decided on the palette, shadows and lights to make variations possible, that's why, unless you're painting your first figures, the recipes with percentages or drops , as soon as you are going to provide knowledge about the color, it is better to study and learn about the color wheel and work it live on your color palette.
A color that I find very interesting to wear the color leather is the brown khaki in vallejo.
And from among the glossy, some of the citadel, and others like black satin of Andrea and dark brown leather also of Andrea.
To be continued...
