Robert Merz
Well-Known Member
- Joined
- Aug 30, 2004
- Messages
- 116
n/t
Originally posted by Robert Merz+Oct 6 2005, 02:48 PM--></div><table border='0' align='center' width='95%' cellpadding='3' cellspacing='1'><tr><td>QUOTE (Robert Merz @ Oct 6 2005, 02:48 PM)</td></tr><tr><td id='QUOTE'>Well, I finally had my epiphany... I now understand why the best of our hobby do spend $50 to $100 (or more) for kits… quality. [/b]
This fixing/detailing/improving process is actually very valuable modelling experience so it wasn't wasted effort; you'll need it occasionally even building kits with a higher pricetag.Originally posted by Robert Merz@Oct 6 2005, 02:48 PM
I had always deluded myself into thinking that if a cheaper kit has a few flaws that I could correct them.... I would spend hour upon hour trying to make an acceptable fix... when I could have spent $20 or $30 more, and purchased a kit that did not need “fixing.”
All worthy goalsOriginally posted by Robert Merz@Oct 6 2005, 02:48 PM
I want to learn to incorporate several of the styles I noted in its pages. I want to work towards flawless finishes. I want to work towards subtle color shifts and highlights. I want to produce 3 to 6 quality pieces per year... I want to make it art.
I agree with this myself and long ago stopped buying any kit that caught my eye but do bear in mind the 'buy early or not at all' priciple might apply.Originally posted by Robert Merz@Oct 6 2005, 02:48 PM
...instead of hoarding 100 kits away. I would rather purchase maybe a dozen superior kits and give them the attention they deserve.
Depends I'm afraid, both on the specific kit and who sculpted it and on the 'age' of your casting.Originally posted by Robert Merz@Oct 6 2005, 02:48 PM
Metal castings in the past have given me some real fits. I believe I have tried to work with two of them. I do understand that mostly, it was my poor choice in price range and manufacturer, which caused my frustration. I chose to start with a Pegaso kit because so may folks here seem to favor them and paint them. Will Pegaso require the undercutting and enhancement that the standard Historex or resin kits require to bring out the details such as buttons, belts, or straps? .
This is the pitting I refer to above. If the model has some of this you can sand/abrade some of it off, fill it with a slurry of epoxy putty or something similar, or a combination of the two techniques. If the problem is quite pronounced I would try and get a replacement part from the manufacturer.Originally posted by Robert Merz@Oct 6 2005, 02:48 PM
In addition, most of the metal kits I have seen have a “stippled” or orange peel type surface, yet the painted figures I see are always flawless. How are the artist’s achieving that finish?
Superglue is a viable adhesive for smaller parts but it's a good idea to make sure both fixing surfaces are shiny - if they are dull you're just glueing oxide to oxide which is a common cause of joint failure. As is probably obvious it is best to reinforce any join that bears weight by pinning as well; don't rely on the glue alone.Originally posted by Robert Merz@Oct 6 2005, 02:48 PM
I plan to use "Hangar 5" two-part epoxy to assemble. Are there any pitfalls here that I do not see? My experience with CA glues and metal, have not been good.
I use automotive primer as it's cheap, easy to get and very tough. Some people use Rustoleum primers in the US, colours 1981 or 1980 I think.Originally posted by Robert Merz@Oct 6 2005, 02:48 PM
I still plan to primer the figures using airbrushed acrylic, then finish with artist’s oils.
Oh no, Van Gogh are Talens's mid-range line - they may be finer in the pigment-size department than some paints in W&N's artists' oils but that's because they aren't made from the same pigments (synthetic organic pigment particles being naturally smaller in size than those of inorganic pigments).Originally posted by Robert Merz@Oct 6 2005, 02:48 PM
Most of my tools and all of my paint supplies were lost in the flood, so I replaced the Winsor & Newton oils with Van Gogh oils this time. I have read that the pigment is finer and the color stronger. Any comments on this?