Greek Mercenary

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Paulo

Well-Known Member
Joined
Feb 1, 2007
Messages
452
Location
Lisbon
Hello, very beautifull figure from master Maurizio Bruno, I just love the works from Maurizio and specially this one.
Hope you like it too, I'll post again soon.
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Very nice indeed! The black part of the helmet gives him a sinister look. Be interesting to see what you do with the shield Paulo.
Gary
 
Paulo excellent start like the colours that you add. I have also this figure beautifull indeed.I'm waiting for the shield !!!!
Babis.(y)
 
Looks very nice indeed. Can I ask what you are holding the figure on the base with, looks like some sort of putty but how do you get it off afterwards?
Ben
 
Hello Ben thanks for the nice words. the yelow putty is like blue tak and is comercialized by UHU, is like a soft schwing gum and the best way to remove it it's with a small bal of the same material. put the ball next to the puty in the figure and pull it out gently, thats all !!
 
ok guys you disearve it any way, here's the shield.
as a mercenary I wanted to achieve a scaring shield for more impact ... like the sinister look of the helmet ...
outside ...
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and inside ...
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Hello Carl, I sought the samething wen I finished the metal part of the shield, but I really wanted to make that that hugly face for a while so...
anyway the shield is entirely in acrilics, I started with a base coat of dark brown, then I add a mix of smoke+ brass+ bit of green I aplied it with a flat brush n.2 just to cover very well like a basecoat. then the fun beggins when you add lights and shadows with a small sponje. this leaves a spot efect. I like it for acient figures at least.
 
Amazing work! Wow!
What did you use to finish the metal parts (helmet, armour)? Printers Ink, acrylics?
Love the cape. Very, very nice tones!!! (y)
Cheers,
Zeno
 
Hi Zeno thanks for your opinion, for the metal parts I've decrived above, but anyway, I start with a very dark brown acrilic color for undercoating (thats really important and changes everything), then I make a mix of smoke valejo 939 and old gold +a tiny bit of green (it's important too) for my base color for higlights I had more old gold and top lights gold and if needed Imix gold and silver to make a small light spot. What I believe is that you need to put the lights nice and softly and ... on the right places of course, you dont need very much just a litlle bit on the right place and will give you that metal reflex you need. for the shadows I made with entirely matt colours, with clean wather please !!, other wise it will shine also on the shadows and wee don't whant it, ok. matt brown +black or raw humber will do it. on this case, at the legs, I give a touch of oils vandik brown and green at the end, and I believe at the end I'll had some touch of printhers ink for the higlights. I need the figure fully mounted to see the final touches.
above:
anyway the shield is entirely in acrilics, I started with a base coat of dark brown, then I add a mix of smoke+ brass+ bit of green I aplied it with a flat brush n.2 just to cover very well like a basecoat. then the fun beggins when you add lights and shadows with a small sponje. this leaves a spot efect. I like it for acient figures at least.
 
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