Hi all:
This is my first post here. I've been a long admirer of many of the work I see coming from you guys. I even know a few of you from Armorama.
Anyway, I finally delved into the wonderful world of sculpting and need your help/advice. I am doing a high relief of Quanah Parker (Comanche Chief) in Super Sculpey. The choice for this medium is that a friend at work sculpts high reliefs using this material, and he is sort of my inspiration. I like the fact that I can work it and rework it until it is baked.
The problem I'm having is that when I get to a point where I want to bake it, I lightly brush the surface with baby oil to help smooth out any rough spots or seams. Everything looks good at that point, but after I bake it, cool it, and prime it, I see a whole bunch of pits and splotches and gouges that werent' visible when working on the figure. Once baked though, it seems that much harder to fix any imperfections on the surface.
Would any of you have advice on what I can do to obtain a smoother finish with this medium?
Here are a couple pictures to illustrate my problem. Take note of the areas around the mouth (the eyes aren't done yet). I'm also including a photo of my subject.
Any help you can offer is greatly appreciated! Thanks all!
John
This is my first post here. I've been a long admirer of many of the work I see coming from you guys. I even know a few of you from Armorama.
Anyway, I finally delved into the wonderful world of sculpting and need your help/advice. I am doing a high relief of Quanah Parker (Comanche Chief) in Super Sculpey. The choice for this medium is that a friend at work sculpts high reliefs using this material, and he is sort of my inspiration. I like the fact that I can work it and rework it until it is baked.
The problem I'm having is that when I get to a point where I want to bake it, I lightly brush the surface with baby oil to help smooth out any rough spots or seams. Everything looks good at that point, but after I bake it, cool it, and prime it, I see a whole bunch of pits and splotches and gouges that werent' visible when working on the figure. Once baked though, it seems that much harder to fix any imperfections on the surface.
Would any of you have advice on what I can do to obtain a smoother finish with this medium?
Here are a couple pictures to illustrate my problem. Take note of the areas around the mouth (the eyes aren't done yet). I'm also including a photo of my subject.
Any help you can offer is greatly appreciated! Thanks all!
John