I'm sorry for my "Google translate" english!
Taking advantage of a few days of vacation season, I started this job, still being finalized even in the parts already painted.
It 's Hightlander Clansman in 54 mm of Art Girona, bit dated but still interesting. As usual, his face was painted with oils on acrylic base (50% meat average, 25% tan and 25% pale flesh Valleyo). Having sketched lights and shadows and having realized the eyes, with oils, I played the hue of the base and I have slightly stretched out on his face that then I lightened with Flesh Tint, shaded with sienna and burnt sienna. I blurred and lights and shadows in the cheeks with lacquer guarantee (a red grape) which helped me to make more lively face. This phase was completed in three stages: after an initial profiling of lights and shadows, I put the piece in an electric oven to dry the oils and make them less shiny; stages repeated twice more until you reach the desired effect.
Taking advantage of a few days of vacation season, I started this job, still being finalized even in the parts already painted.
It 's Hightlander Clansman in 54 mm of Art Girona, bit dated but still interesting. As usual, his face was painted with oils on acrylic base (50% meat average, 25% tan and 25% pale flesh Valleyo). Having sketched lights and shadows and having realized the eyes, with oils, I played the hue of the base and I have slightly stretched out on his face that then I lightened with Flesh Tint, shaded with sienna and burnt sienna. I blurred and lights and shadows in the cheeks with lacquer guarantee (a red grape) which helped me to make more lively face. This phase was completed in three stages: after an initial profiling of lights and shadows, I put the piece in an electric oven to dry the oils and make them less shiny; stages repeated twice more until you reach the desired effect.
