How creativity is helped by failure

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Very interesting piece and so true.
I keep a sketchbook with ideas and the few that make it to a finished model look very different from the initial sketch; the process in between being quite frustrating at times.

One piece of advice I was once given that I consider very important is "kill your darlings". Sometimes we start a project based on some brilliant idea, we think, only to discover along the way that it just doesn't work in practice. One has to be brave to kill that idea and change course, but the result will often be better for it....
Who said hobbies are fun only?!

Thanks for posting this.

Cheers,
Adrian
 
Great article Roger,
When I coached kids hockey I pushed the idea that when the team lost that's when you learned. There was always a reason for the loss and 9 times out of 10 that reason could be addressed and repaired. When the issue was fixed the next game the boys were aware of the improvement and took the positive lesson from the previous failure. Continued improvement over the season is a real accomplishment.
Of course, constantly repeating of the same mistake results in punitive skating drills at practice.

Do I have to do punitive brush drills for not showing painting improvement?

Colin
 
I dunno :(, what started as a serious discussion on the nature of learning from our failures has fast degenerated into the art of the double entendre - something we are all creative geniuses at :LOL:. (If not the art of English grammar). Anyway, we've got to find value in failure because we all have so many:p. (And before anyone says it, yes I was speaking for myself).
Seriously though, creativity is rarely if ever a burst of inspiration, it usually begins with a curiosity about what would happen if........... Then you want to test your idea on a project so you start with the drawing book, to come up with something to do (which usually means pages of scribbling till I get a scribble that looks likely to be viable). Next comes proper drawings, dealing with poses and historical periods. After that comes the actual sculpting, working out engineering and anatomy, then finally comes the figurative stuff with the puttty. There might be a minor burst of enlightenment about how to place something in the mould or where to pour in from, but that's it!!!!!!!!. No fire of creativity, NO burning light bulb to guide my way, just a lot of stumbling around in the dark.
But that's just me :(:cry::).
Yours in frustration, Gary.
 
I dunno :(, what started as a serious discussion on the nature of learning from our failures has fast degenerated into the art of the double entendre - something we are all creative geniuses at :LOL:. (If not the art of English grammar). Anyway, we've got to find value in failure because we all have so many:p. (And before anyone says it, yes I was speaking for myself).
Seriously though, creativity is rarely if ever a burst of inspiration, it usually begins with a curiosity about what would happen if........... Then you want to test your idea on a project so you start with the drawing book, to come up with something to do (which usually means pages of scribbling till I get a scribble that looks likely to be viable). Next comes proper drawings, dealing with poses and historical periods. After that comes the actual sculpting, working out engineering and anatomy, then finally comes the figurative stuff with the puttty. There might be a minor burst of enlightenment about how to place something in the mould or where to pour in from, but that's it!!!!!!!!. No fire of creativity, NO burning light bulb to guide my way, just a lot of stumbling around in the dark.
But that's just me :(:cry::).
Yours in frustration, Gary.

Fair points Gary. Anyway this article on the BBC reminds me of an experiment of using different groups to build a tower out of spaghetti sticks (uncooked of course) using selotape and mounting a marshmallow on the end. In timed tests the best results were by kindergarten (nursery) kids who just piled into the task and when it broke started again. Those who performed worst were, in reverse order, business school graduates, architects and engineers.

Myself i'm a perfectionist meaning I always restarting pieces and rarely finishing things and even then I want to improve them. Lesson for me in this article maybe?

Finally I agree we're masters in double-entendre and Ron and Paul didn't call by this thread.

Cheers

Huw
 
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