Kicking Bear - PiliPili Miniatures

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Guy

A Fixture
Joined
Aug 20, 2003
Messages
12,716
Location
US, Oklahoma
FA-13
PiliPili Miniatures
Kicking Bear – Western Sioux – 1870
120mm resin
Sculpted by Le-Van Quang
Painted by Le-Van Quang


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Historical Note – by Bruno Schmäling

He was born in 1848, his father Black-Fox was Oglala-Lakota, his mother Iron-Cedar-Woman was Minneconjou-Lakota. According to the Lakota tradition he was therefore Minneconjou. His brother was Flying-Hawk, who later gave his experience about the Battle of the Little Bighorn to white historians.
The two brother were raised among the Oglala and become friends of Crazy-Horse, who’s mother was also a Minneconjou. (For this reason my Minneconjou friends claim strongly that Crazy-Horse was a Minneconjou).

He was among the warriors who defeated General Crook at the Rosebud River.

At the morning of Battle of Little Bighorn Kicking-Bear together with his brother were like all the Lakota, Cheyenne and Arapaho surprised by the attack of Major Reno. They hurried to Crazy-Horse and prepared for battle. Both were in the front of the Oglala warriors who cam to the aid of the heavily attacked Hunkpapa-Lakota. The victims of the attack of Major Reno were mainly women and children which infuriated the warriors. Kicking Bear was together with Crazy Horse, in the lead of the charge. He killed some soldiers when they try to cross the river and count coup on others. Finally he killed together with the Olglala Red-Feather two of the Arikara Scouts of Reno.
His further appearance in the battle is not recorded.
He also fought to defend the Lakota village at the Slim Butts when General Crook takes revenge for his defeat at Rosebud.

n 1889 he travels to the prophet Wovoka and become a strong supporter of the Ghost Dance in the hope to better the horrible life conditions of the Lakota people on the Reservations. When the 7. US Cavalry massacred 300 unarmed Minneconjou-Lakota he was not present, otherwise he surely had been killed.
In 1891 he worked for the Buffalo Bill Wild West Show and visit with the show Europe. After two years he returned to the Pine Ridge Reservation. He died 1904. He was a very brave and courage’s man, who never gave up the fight for the right of the Lakota Nation to survive and live in human conditions.

Review

I received the kit in the mail and was excited when opening the kit for the initial inspection. This has to be Le-Van Quangs best work to date, both in sculpting and casting. The sculpting of the movement as if standing on a battlefield and the wind moving across the figure is superb and will really add to the display and creation of a story with a single figure.


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Close-up

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The figure arrived in PiliPili’s standard box carefully wrapped with bubble-wrap with the small parts in separate bags.

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Attachments

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The main torso is comprised of 2 parts. After cleaning off the wedges on each side (there to protect the shirt tails during shipping) the 2 sections join perfectly at the waist.

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Below are some close-ups of the chest and head showing the detail Le-Van Quang has sculpted into this beautiful figure.

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Below are the arms with the attention to detail shown in the beadwork and fringe. Each arm is clearly marked at the top with a “R” for right side and a “L” for the left side.

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Now we see the war bonnet with the feathers cast into the bonnet. The war bonnet is in 2 parts and dry-fitting showed very little filling is needed. We do not see many small scale war bonnets due to the immense casting difficulties presented when doing so. To prevent separate feathers being cast Le-Van Quang has done a beautiful job in sculpting the separate feathers and casting these together, then forming 2 sections for the modeler to join when painting the war bonnet. Also seen is the right hand attached to the war club and fits snuggly into the right arm.

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Separate parts are cast for the war bonnet to add to the realism with each noted as to right or left side.

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Below we see the war shield (I have removed the thin casting sprue left their to protect the trade cloth during shipping) delicately sculpted to show the actual trade cloth over the leather shield.

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Here is the reverse side of the shield showing again the attention to detail Le-Van Quang has shown.

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Below is a scanned / reduced copy of the painting guide with historical notes and references used.

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Conclusion

Another outstanding kit from PiliPili and I am sure many will say his best to date. A “Must Have” for any Native American figure collector.

My good friend Bob Knee called me after he received his copy from Military Miniature Warehouse and his comment was “I will have to order more of this kit”. This pretty much sums up my opinion as well.
 
Thanks for this wonderfull revieuw.
I know, i must neatpicking, but the box said Kicking Bird, and i also thought it was Kicking Bear.
Somewhat confusion isnt it.
Afterall,,,,,, Great revieuw of a tremendous kit.

marc
 
Thanks for a well-written and detailed review, Guy. (y)

Marc a.k.a. Eagle Eye: There's indeed a mistake on the box label. :( It's 'Kicking BEAR' all right (it's his shirt that the figure is wearing).

Cheers,
Quang
 
Great review Guy. Quang has take what would otherwise be a static pose and has animated to a higher level. Given Quang's efforts I hope this piece does well for him.~Gary
 
Good review, and having the kit myself I can only agree what is said in the review ... it is indeed your best figure ever, Quang !

I'm going to have fun painting mine, just right now I try to figure out how to paint a painted buckskin warshirt :lol:
.... seriously, it seems a challenge to do that properly .... I was thinking of first painting the buckskin in a natural colour in oils and let dry, and then airbrushing thinned vallejo acrylics where appropriate ... sort of trying more or less to do it as it was done in reality (although I hasten to add Sioux didn't have airbrushes ! They rubbed or smeared the colour on I believe)
 
Hi Guy,

My compliment for your excellent review and for the honour to use my biographie on Kicking Bear.

I would like to note, that the supporters of the Ghost Dance were NOT religious fanatics or crazy dreamers like shown in a good number of books written by white autors.

The situation in 1890 on the Lakota Reservation was so desperate - up to 40% of all people were ill by tuberculosis, without the urgently needed medical support - that the politically engaged people thought of a change. As visions and dreams are impportant in the Lakota religion a vision of a prophet like Wovoka was important. It was the hope of desperate people a cry for justice, for human rights and against the extermination of a people.
Lakota like Kicking Bear were thoughful and honourable men.

Lakota Holy Man Leonard Crow Dog is today on the opinion, that the vision of Wovoka was misinterpretated. The dance should not bring the Indians back physically, but should be see as a chance to preserve the Lakota religion and herritage.

Under this aspect the vision was not so wrong. Now in the 7th generation, the Native Americans more and more restore their herritage. Hundred celebtrating the Sun Dance and turn back to their old reliegion. Also the Buffalo return.

Many gratings

Bruno
 
Originally posted by Bruno@Jan 8 2007, 06:25 PM


Also the Buffalo return.

... Allow me to add something to this topic that is not directly figure-related ... but just wanted to put things about the American Bison or Buffalo you mention in perspective.

Indeed, they have returned - there's two wild herds, one in Yellowstone in Montana and the other in a reserve in Northern Alberta in Canada (that one is considered a world heritage site). The U.S. animals are normally federally protected.
For the rest, many thousands of Buffalo are bred on huge ranches for their meat, which is low in fat and cholesterol, these are half wild and not completely true wild animals I think.

But "white hunters" have returned also, and the truly wild buffalo have declined somewhat in numbers over recent years ... I explain :
As of 2005, protection was lifted and permission was given again to shoot wild buffalo from Yellowstone who wandered outside the park boundaries .... seems that these wild animals would spread a cattle disease called Brucellosis among cattle (cows), hence they are eliminated ...

Actually this is very, very controversial, and serious scientists question wether it isn't actually the cattle who infect the Bisons ... but, sadly, Bisons are shot again by big game hunters ...

As for the Native Americans of the Plains tribes, of course they're not happy with all this, it seems they still consider the Bison to be one of the main elements that formed their cultural identity; they protested, and have even proposed to capture straying wild buffalo and then transport them to their own land/reserves, where they would welcome the presence of these magnificent animals.

... Well I hope that wasn't too far "off topic" ... it's just the recent developments in the history of an animal that was once the foundation of the culture which is represented in miniature here in Quang's wonderful figure of a Lakota warrior ... all their life was the buffalo, it was really the foundation of their existence as a nomadic hunter culture.

Cheers, ;)

Johan
 
Sorry to go on with this, but the federal US government has lifted the protection on the grey wolves too. For years there have been breeding programmes to save this formidable animal from extinction, and now they can be shot again because it is said they form a thread to the live stock of the cow barons. Mankind will never learn ...

Johan
 
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