Hi Folks,
This is my last for 2020.
It is Young Miniatures’ bust of La Hire at the battle of Patay, 1429.
I was rather intrigued by Brian’s method of painting plate armour, so I tried it out on the helmet, and was very satisfied with the result.
You can find his method in the following post (thank you Brian):-
https://www.planetfigure.com/threads/90mm-man-at-arms.283325/#post-1104748
Needless to say, I continued with the main armour in like manner. My only change was that I used toilet paper instead of kitchen paper towel.
For the mail I reverted to my usual oils. The base coat was silver printers ink (El Greco) mixed with Cerulean blue and Mars black, until it looked like steel; followed by a wash of Van Dyke brown; highlighted with a very dry brush of silver printers ink; and a final wash of the Van Dyke brown to tone it all down. All these stages took a few days to allow paints to dry.
Straps were Humbrol leather with an oil wash of burnt umber. I also used the El Greco bronze printers ink for the buckles.
The axe head was painted in the three Dark Star steels; while the handle was Humbrol wood with a wash of sepia oil.
The face was oils over Humbrol enamel.
If anyone is unaware, this bust was based on Richard Ridings portrayal of La Hire (Etienne de Vignolles) in the film The Messenger:The Story of Joan of Arc (1999).
Cheers and a Happy New Year to all,
Andrew
This is my last for 2020.
It is Young Miniatures’ bust of La Hire at the battle of Patay, 1429.
I was rather intrigued by Brian’s method of painting plate armour, so I tried it out on the helmet, and was very satisfied with the result.
You can find his method in the following post (thank you Brian):-
https://www.planetfigure.com/threads/90mm-man-at-arms.283325/#post-1104748
Needless to say, I continued with the main armour in like manner. My only change was that I used toilet paper instead of kitchen paper towel.
For the mail I reverted to my usual oils. The base coat was silver printers ink (El Greco) mixed with Cerulean blue and Mars black, until it looked like steel; followed by a wash of Van Dyke brown; highlighted with a very dry brush of silver printers ink; and a final wash of the Van Dyke brown to tone it all down. All these stages took a few days to allow paints to dry.
Straps were Humbrol leather with an oil wash of burnt umber. I also used the El Greco bronze printers ink for the buckles.
The axe head was painted in the three Dark Star steels; while the handle was Humbrol wood with a wash of sepia oil.
The face was oils over Humbrol enamel.
If anyone is unaware, this bust was based on Richard Ridings portrayal of La Hire (Etienne de Vignolles) in the film The Messenger:The Story of Joan of Arc (1999).
Cheers and a Happy New Year to all,
Andrew