Napoleon in an unusual dress

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Glad to be able to catch up with you guys, at last. (I changed my favourite to the second 'version' of the site and got stuck with an error 404 for the past week.). Anyhow, back to bidness!

Like Bob, I second Leigh's comments.

As far as folds and draping are concerned, there's a simple rule: they always come in pairs.

For each fold, there's an opposite: if a fold goes up, there must be a corresponding one which goes down. The same applies with left/right, inside/outside. You can't go wrong if you follow this simple Yin/Yang principle.

As a matter of fact, I'm always referring to Michelangelo's Pieta as a text-book case as it regroups every conceivable kind of fold. When in doubt, I'd check the Pieta.

However my main source of inspiration/admiration goes to BERNINI, IMO the greatest sculptor of the Baroque era and the indisputable master of the art of the bust.

My advice to the budding sculptor is: do not waste your time with the lower ranks, go directly to the top.

A separate discussion topic about the 'artistic/esthetical' side of the hobby is an excellent idea and should help to 'push the envelope' of our hobby a little further. I second such an idea 110%.(y)

Quang
 
Thanks Quang,
I am sure the others will feel the same. It is little things like the quote below, that are so much help to someone who is just attempting the art of sculpting.

For each fold, there's an opposite: if a fold goes up, there must be a corresponding one which goes down

I looked over at the bust I am working on and saw folds, that didn't have corresponding / opposite folds. will have to correct that and then maybe then it will look better. Just couldn't put my finger on what it was. :(

Thanks Quang. (y)

Guy
 
Quang, I've been a BERNINI fan for years. His busts are great! A lot can be learned by just looking at his stuff. His drapery effects are excellent and I really like the way he rendered hair.~Gary
 
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