Thanks for all the help guys. I think next ime I try this flesh mixture (I'm writing what I did down so hopefully I can repeat it :lol: ) I'll add a litlle English Uniform to the base. Iv'e always felt my base skin tones were a little too light thus not really leaving me much room to go with highlights. Oh well, you paint and you learn.
OK, I added Cav Brown around the eyes and it just didn't darken it enough. So I added some brown and this worked a little better. Finally, the black I added for the upper eye lids was used VERY sparenly under the eyes.
Jean-Phillipe and Franco, I looked at what you siad about the face not sitting "on" the chainmail but "in" it instead. I added a diluted straight flat black around the edges. Hopefully this has acheived what you were talking about. As far as the leather lining matching the beard, I agree. Although not readily apparent in this photo, I repainted the lining a dark leather followed by a atraight Orange Brown (#981) highlight on it. I went over this several times so as to ensure it was Orange and not yellow. I probably should have thought this out better and painted the beard a more yellowish blonde instead of a brownish blonde.
Pete, I don't think it was the silicone ( :lol: ) fumes you were sniffing. I have a hard time tweaking my flesh tones than I do any other part of my figures. I was making baby steps in my "teaking" instead of giant leaps. After your posting, honestly, I laughed. I decided then to take some giant steps and brave a new world. Funny thing about all this is, to me at least, every time I think Iv'e done something "new" I read other painters magazine articles and they were doing it all along! Well, not so funny if your'e in my shoes. By the way Pete, what were you doing sniffing silicone fumes? I want touch the fact that you were "burning" silicone with a 10 foot pole!
Thanks again to all of you,
Jim Patrick