I suspect that the quality of the casting is irrespective of the material, but more down to the quality of the master and the mould. David Grieve's early figures were cast in white metal to a very high standard. I prefer up to 100mm in metal, and over 100mm in resin. I am uncertain as to the longevity of resin when compared with high tin content white metal. A poor resin casting has to be binned, but a poor white metal casting can be remelted and re-cycled. White metal figures usually do not come with large casting blocks, nor do they produce noxious dust when filed/sanded. White metal can be polished to give a good rendition of the real thing, and may be better for weapons and armour as a result.
It is however easier to work on and convert resin figures. It is easier to strip the paint off a white metal than a resin figure. White metal is now more expensive, both as a casting material and as regards postage.
I suspect that quality is quality regardless of material.
Happy modelling,
Mike
It is however easier to work on and convert resin figures. It is easier to strip the paint off a white metal than a resin figure. White metal is now more expensive, both as a casting material and as regards postage.
I suspect that quality is quality regardless of material.
Happy modelling,
Mike