Michael Tse
A Fixture
Hi guys,
I was at a point when I was quite happy with the face and ready to move on to teeth (as shown), and then Young's latest WW1 bust box art by Lee was so bold that it kind of led me to some risky decisions with this face. Suffice to say I failed, and stripped out the paint on the face for the second time. So the face paint on the pictures are no more, but criticisms are still welcome!
This presents a timely opportunity for me to finally try out the apparently excellent Andrea's flesh paint set. But I have relied on Vallejo since the dawn of time, so the transition may be painful.
Is there anything in terms of water dillution, level of satin varnish, and size of pigments etc that I should bear in mind? Most importantly, is it air-brush friendly, given dillution? (for example Game's Work Shop paints are not air-brush friendly)
Thanks in advance!
I was at a point when I was quite happy with the face and ready to move on to teeth (as shown), and then Young's latest WW1 bust box art by Lee was so bold that it kind of led me to some risky decisions with this face. Suffice to say I failed, and stripped out the paint on the face for the second time. So the face paint on the pictures are no more, but criticisms are still welcome!
This presents a timely opportunity for me to finally try out the apparently excellent Andrea's flesh paint set. But I have relied on Vallejo since the dawn of time, so the transition may be painful.
Is there anything in terms of water dillution, level of satin varnish, and size of pigments etc that I should bear in mind? Most importantly, is it air-brush friendly, given dillution? (for example Game's Work Shop paints are not air-brush friendly)
Thanks in advance!