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So....You want to build a HISTOREX figure

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Hi folks

Next update from David ....ENJOY

There is butchery a foot. This episode of the St. Germain Cavalry School Trumpeter SBS will focus on building the trumpeter.

After cleaning up the mold seams on the legs I add a small shim to the crotch. As we have shimmed the horse this helps ensure a better fit. The leg halves are cemented together and once dry the gaps/seams are puttied. This figure is wearing tall, cuffed boots. I will cut the boots off, drill and rout, using a cylindrical cutter in my Dremel tool, out the boot top. I started doing this when I did a Dragoon posting in the saddle. I liked the way the tops of the boots came out have continued to follow this process with figures wearing cuffed boots. Note, I marked the bottom of each boot with a r or l to help me keep them straight.

Then I drill holes in the boots and legs, measure and insert wire pins, reposition the boots and start rebuilding the knees that were cut/routed off. Once satisfied with the pose of the boots, I rebuild the pants and adjust the seat of the legs in the saddle. Typically, as I work the legs, I would also start adding the upper body. However, on another site I had seen where a modeler had drilled down through the pelvis/hip section, through the saddle and into the horse. By doing this they were able to fix the rider’s position in the saddle have an attachment point for painting. After finalizing the legs position the top of the hole was filed with putty, and the pin super glued between the legs.

Next, more butchery, I began carving the detail from a Historex body. I know there are other methods for building up the body, but I find carving/cutting up a body cathartic. At this point I drill all the holes to attach the body to the legs and add head and arms. Then I measure and cut a piece of wire, attach the thorax to the legs and build up the abdominal area with putty. Next, I attached the head, in this cash one from Figurinitaly’s excellent range of heads. Because there are nine rows of lace to add before adding buttons, I chose not to add the arms at this point.

For the arms, I took a pair of Historex arms, removed the hands and drilled/routed out the sleeves. I also, marked the left and right forearms. I added wire pins to the hands, rebuilt the wrists with putty, and drilled corresponding holes into the arms. Then, I cut the forearms off, drilled a hole to add a wire armature for the upper arm, measured and fitted the arm to the body to ensure everything was of appropriate proportion. As noted before, I have not attached the arms.

The final step in this session is to add the surtout collar and the lower portion of the waistcoat. I rolled Magic Sculpt out very thin. I included a photo of one of my hobby business cards with the sheet of putty over it to show how thin I can get the MS. I will use putty rolled this thin for turnbacks, labels, etc. I roll it a bit thicker for gauntlet cuffs, which will be added in a coming work session. Finally, using the .18 punch in my sub-micro punch and die set, punched out buttons for the waistcoat and breeches.

There will be a bit of delay between now and the next installment. I am in need of “Granddaddy time”, so will be visiting my Grandson this coming weekend.

In the next installment of this SBS I will be adding coattails, using Magic Sculpt/Kneadatite mixed and building out the surtout with Apoxie Sculpt and Kneadatite. As always, questions, critiques and comments are encouraged.

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My pleasure to share the next episode from David .....what skill and a difference at the end

This episode of the St. Germain Cavalry School Trumpeter SBS, the sixth in the series, is about rebuilding all of what we cut away last time.
Especially for mounted figures I prefer to make my coattails out of rolled out putty.
For this I use a mix of Magic Sculpt and Kneadatite.
I made templates of the Historex coattails out of cardstock. I roll the putty in a gallon size zip top storage bag with talcum powder in it. I know some use petroleum jelly instead. I find the talcum powder less messy, and I can keep the bag and powder in a desk drawer ready to go.
I cut the putty to shape using the template, usually leaving a tab to serve as the front edge of the coat.

Next, I mix Kneadatite and Aves Apoxie Sculpt to flesh out the surtout.
Once I have the putty applied to the figure and smoothed it out, I let it is set for 30 minutes to an hour.
Then I begin adding folds and wrinkles.
After the putty was cured, I make adjustments with knife and sanding sticks and sand the piece smooth. I then roll out some Magic Sculpt very thinly and added the turnbacks to the coattails and the coat opening.
Unfortunately, I forgot to photograph the front of the Surtout until after I had added the rows of lace, again thinly rolled Magic Sculpt.
Next out with the Punch and Die set and we’re making buttons. I used the .33 punch for the coat front and .38 for the coattails. I also added the grenades to the turnbacks, Historex parts.
Now I set the arms and started rebuilding the upper arm. Also, in this process I built out the hands. While putty on the arms was curing, I used my pyrogravure and textured the chenille on the helmet. As this is to be an instructional series I but the knife blade into my pyrogravure to show how I texture a plume. I glued the helmet on the figure and added hair with putty

The last steps this week were to add the epaulettes, gauntlets and chain scales.
The epaulettes are modified Historex parts, I remove the braid detail. I felt the chain scales were too short. I created new straps with putty detailed with syringe with the tip/open end cut to a c shape. I then cut the bosses off the Historex piece and added them to the helmet. The gauntlets are rolled Magic Sculpt.

Next week is adding the sword belt over the shoulder, Sabre en baudrier, detail the trumpet tassels with the pyrogravure, I forgot to do this before, and final clean up.
Also, I need to prep a base before painting beings.
As always, your comments, critiques, questions and suggestions are most welcome and encouraged.



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...continued in next post
 
Next update from David ....really coming along great now

.....ENJOY

This journey/conversation about building/converting a Historex figure began June 8, 2024.

We are in the final stages before the table is cleared/cleaned in preparation for painting.

In addition to the final clean up, the sword belt needed to be added. Rolled out Magic Sculpt is used here as it easily forms compound curves as it is wrapped around the body. The rings are thin solder that has been wound around a brass rod and cut into rings. The sword, stirrups and rains will be added in the final assembly after painting is completed.

Part of the final assembly is attaching the stirrups to the figure and horse.

There are several methods, gluing the stirrup leathers up the inside of the leg or up under the shabrack are the two most common. I have always glued the stirrup leathers up under the shabrack or to the saddle depending on the saddle type. Why? Short answer, that is how the late Bill Ottinger, my friend and mentor, showed me. This is the method that works for me/the one I am most comfortable with.

As I said when I started this series, these are the techniques and methods I use to build a Historex piece. To me they are neither right nor wrong, just what I know/am comfortable with.

As the pictures show, I have also prepared a base and groundwork for the figure. My original thought was to use an oval base, I have a pair on order with John Jeffries of Birch Tree Enterprises. However, the figure kept telling me it would do better on a round base. I agree and am happy with this base. I follow Shep Paine’s groundwork techniques, outlined in his seminal work “How to Build Dioramas”.

Some final thoughts/comments/observations as we close out the construction process.

In addition to a multitude of old/original kits and parts, I have purchased some of the new moldings.

I find the new plastic used to be softer and easier to cut than the original formula. However, I also have had issues with it peeling. It is almost like the is a grain in the plastic. If you cut across the grain no issues, but if you are cutting/sanding with the grain the plastic can peel. Note, I found this to be more of an annoyance than a real issue.

One of the next steps is to prime the figure in preparation to painting.

Typically, I use a white primer, although I did use grey primer on the horses in the Philadelphia Light Horse vignette I completed prior to this project.
I have used black for black or dark bay horses. For this horse I am going to use a black primer, even though I am thinking either a light medium grey with white dapples or a light grey with dark dapples.

The figure will tell me which when I begin painting. Yes, I believe the figure will speak and let you know what pose, colors, base, etc. will best achieve the desired results. Also, the black base should provide a subtle difference in the red of the saddle, pistol holsters and portmanteau compared to the surtout. I prefer to prime people in white.

This project documenting how I build a figure from Historex kits/parts has been a lot of fun and a great learning process for me. I have had to pay attention to not only what I’m doing in each step but think about why I’m doing it that way. I hope it has been as enjoyable/instructional to follow.

As always, your comments, questions and critiques are solicited and welcomed. Now go build a Historex piece and share it.

Click on for larger images


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THANK YOU David ...looking forward to the painting

Nap
 
Hi folks

Addition by David and revised result pics


Addendum

Based on and in response to some very good comments from fellow Historex enthusiasts, Barry King and Paul Mooney, I performed some delicate surgery on the Trumpeter’s neck. I carefully cut around the collar down to the pin I used to connect the head and body. Then I tilted the chin up slightly and tilted the head more upright, i.e., toward the back. Then I rebuilt/repaired the collar with putty, also trimming it slightly for the new pose. I also added new pictures showing the revised pose.

This allows me to make another point about building Historex kits. Always be willing to correct pose/anatomy issues even if it means completely undoing the figure. Once a figure is nearly finished reworking it completely is daunting but, in the end, you will be much happier with the completed piece.

As always, comments, critiques and questions are welcomed.

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Nice listening David

Nap
 
About thirty years ago it was possible to buy 90mm Historex style figures, produced by a French company (Fonderie?). Unfortunately I can't find them any more, but for old codgers, 90mm is kinder on the eyes!

Mike
 
Nice fix David, it is often hard to not ones own errors being so focused on getting the job done, all the extra pairs of eyes on line is a great quality control system.

Cheers Simon
 
About thirty years ago it was possible to buy 90mm Historex style figures, produced by a French company (Fonderie?). Unfortunately I can't find them any more, but for old codgers, 90mm is kinder on the eyes!

Mike

Hey, if you think of the company, or find photos of a kit, please do share. I’d love to see them.

Historex in 90mm would be a dream come true! :)

I know Preiser did some Prussians in 54mm and 75mm, and the are very much like Historex, except the castings have some very poorly located seam lines that make them hard to clean up without losing lots of small details.
 
Hi folks

Now the build itself is finished David’s painting the piece , he’s said to me he will get pictures done , more than likely before the rider joins the mount and then fully together

Something to look forward to seeing

Stay tuned

Nap
 
Hi everyone

David’s been busy with the brushes .....

After working on painting the Trumpeter, St. Germain Cavalry School, since the beginning of August I am ready to say “finished”.
This has been a fun and interesting project.
I started with a Rigo plate because I liked the red and black contrast. However, as I began posting my progress, I received additional information on the uniform, including several different prints that showed differing details, especially the lace braiding and the cuffs, collar, and turnbacks in dark green vs. black. In the end,

I chose to match the Rigo details but used green for the cuffs, collar, and turnbacks.

I am most pleased with the final results.

I paint with oils over an acrylic undercoat. This is the technique I learned from the late Bob Knee and the late Bill Ottinger. Following Bill’s practice, I will soak excess oil from my paint to get a matt finish. For this, I use old business cards. Horses, leatherwork, faces, etc. I do soak out the oil but blot the excess. I have some tubes that are over 35 years old. As several painters noted, the more modern oils seem to have more carrier/linseed oil. I will use Grumbacher’s Medium I, to reconstitute my paint. I feel that for this process the Matt Medium works better than white spirit.

For the metallic surfaces, I used acrylics for the polished white metal parts, bits, buckles, buttons, etc. I used printer’s ink paste and the carrier from a bottle of Testers metallic paint for the brass parts.

The silver metallic lace was painted with printer ink, oil paint, and a little Liquin.
Interestingly, I mixed three batches of silver, one using Winsor Newton Blue Black, Daniel Smith Graphite Grey plus White for medium grey, and Titanium White. There was almost no discernable difference between the three shades. I used Blue Black to shade and the highlights were straight Adirondack alcohol-based silver ink. These inks have a matt finish.

To attach the sword, I drilled a small hole in the center of the ring in the sword belt and inserted a length of brass wire that was first passed through the ring on the sword. Small dabs of superglue hold everything in place. Reins and sword slings are painted paper. I like paper for these as I can “paint” them with water after attaching and shape them how I want.

I began this series to share my techniques in building Historex kits and to pay homage to my friend, the late Bill Ottinger.

Bill loved Historex and thoroughly enjoyed sharing his methods.

I hope everyone has enjoyed this SBS series, I know I have had fun both building and painting the Trumpeter and writing these articles.

As always, your comments, critiques, and questions are requested and welcomed.


David

A BIG THANK YOU to David for the SBS ....

Enjoy the final pictures


Nap

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Very interesting build and nice final painting by David.

Hey, if you think of the company, or find photos of a kit, please do share. I’d love to see them.

Historex in 90mm would be a dream come true! :) ... .

So would I!

Mike

The company was called (FM) Fonderie Miniature.
This is a picture of a 90mm figure on Ebay:-

FON-1205-2.jpg


The listing said 90mm, but the catalogue No. was 1205-2 (which could mean 120mm :confused:),

Cheers,
Andrew
 
This is a cracking piece David and it has been interesting and informative watching you bring him to life, thank you for a most enthralling SBS.

Cheers Simon
 
Hi David,

I’ve really enjoyed watching this Historex build thread. Thanks for posting these updates, Kevin.

Rgds Victor
 
I was lucky to meet Max Longest in the mid 80s at a Military model club in London. He made it look so simple.

Max Longhurst. Is he still around? I met him as well a few times at Euro. Late '90s and on into the '00s. A very talented guy.

And yes he did didn't he?! I feel the same now watching YouTube videos of today's top guys. I'll be struggling at something for a week, and they're like bosh-bosh-bosh and it's done! And much better :confused:.

- Steve
 
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