Stefano's painting of the Crimean Veteran.

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Roc

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Dec 29, 2003
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Philadelphia, PA.
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After cleaning the sculpture, I give it a good coat of gray primer, in this case I used gray primer, but I’m not restricted to it, the fact is I use what ever I have at my disposal at the time.
I have a mixed technique, meaning that I use acrylics and oils.

After mixing the base color that I desire, I darken this mix just a bit and than I brush it on the entire piece, as soon as it dries , I progressively lighten it with the base color until I achieve the highlights desired;
In effect the quantity of base color that I add is subsequently white for the highlights, only what is needed to highlight the color and not to fade it.

The base color that I previously prepared , I darken it with black and dilute it in order to create a glaze which I apply to the folds and deep folds according to where the light produced by my lamp falls.
Black mixed with red creates the maximum shadow contrast.

I finally use oils , I use light glazes, to achieve tones and small variations where ever needed.
This technique works with any flesh color, reds , blues etc…
The secret lies with the understanding of highlighting and shading .

Ciao
Stefano
 
I'll use Guy's adjective and again describe this piece as beautiful. It is a lovely bitter-sweet study of a Crimean soldier and is a great example of how a single figure can tell a story all on it's own.

Also it's an illustration that sometimes, the 'quieter' figures are the ones that say the most.

Thanks again for sharing it with us all.
 
:) without an arm for a short warking it's a to beautifull subject, anyway!
thank you for your approvation, please go on, polease!! ... it's usefull for my nex inspiration!!!!!!!!!!!!yaaaaaaaahhhhhhhhhuuuuuuuu!!!!!!!!!!!!!!!! :lol:


Stefano
 
Ciao Stefano :)

Amazing stuff as expected.......your sculpting has been one of the most EXCEPTIONAL to grace our hobby, and now you take your painting to the very pinnacle as well :eek:

Tanti saluti,

Ray ;)
 
Ciao Stefano. Excellent stuff as usual. Be good :lol:

Regards
Stephen Mallia
 
Stefano, many thanks for taking time to share with us this beautiful sculpture,
we all appreciate and I know that your participation and contributions have enriched all of us.
It has been a real pleasure to translate for you, if you ever need me, I will be just an e-mail away.

Ciao
Roc.
 
This is great : not only well sculpted and wel painted, but the figure also "breathes" a feel for the period... miniaturism at it's best ! (y)

Now, Stefano, how about a 120mm version of this one, produced in resin ? :)
 
Well, Stefano, I know that, but what I wanted to say is : why don't you do another version of this figure, in 120mm and commercially available ? Or maybe as a 90mmm or 100mm figure ? It would be a painter's dream, as it is an interesting and colourful subject, and a GREAT sculpture ! (y)
 
That is a fantastic sculpting and painting job. The colors look so right for the subject. I always felt that photo would make a great bust, it also makes a great full figure as well.~Gary
 
Stefano, I have to agree with Johann. If this was a commercial casting it would sell like hot cakes and we'd see lots of them on competition tables on both sides of the Atlantic I'm sure.

Johann mentions other scales, but in 54mm it's a real gem.

thanks again
 
I really like the figure, now we know that you not only can great great sculptures but also paint like the masters,

Is this going to a private collection Mr Borin?

Looking forward to your next Project,
Best Regards,
Eduardo Tellez.
 
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