WIP Wyatt Earp (by Bill Horan)

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S1LVERBACK

Active Member
Joined
May 6, 2011
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55
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Assen
Another piece I'm working on is Bill Horans 'Wyatt Earp'.
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I haven't seen this figure around much and hope I can make it into a nice vignette. To be quite honest I think it's a rather stiff, maybe even dull pose. His aim seems to be at 'rider hight' as it is rather high. The swirling frockcoat attempting fast drawing movement somehow does not compensate for the 'stiff as a board' stance.

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My setting for this figure will be a saloon like surrounding as it is a good backdrop for the controversial role Wyatt Earp (and his brothers) played in The Wild West. Being a lawman in the city of Tombstone was a very conveniant occupation for maintaining the 'peace' at the gambling tables he and/or his brothers ran at the same time in the local saloon. My facts may be a bit off. It might have been one of his brothers (Virgil, Morgan or James) which held the tables. Maybe he ran gambling tables at a diffrent period to the time he was a lawman. I just like the controversy of those facts.

I will try to add movement by adding a saloonchair falling over behind his legs. As if he jumped up like a tightly coiled spring causing the chair to fall.
The saloon floor, already added in the picture below will contain playing cards on the floor, (some face up, some face down)and a fallen bottle of whisky as a reference to the gambling and drinking that went on in the saloon. Earp aiming at the balustrade above in a shootout that never took place (but who knows, might have). I can't restrain myself form adding a cliche to this vignette as one of the 'face up cards' will, ofcourse, be the Ace of Spades, which has been, and always will be a metaphore for death.
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Thank you.
I'm putting in an Andrea Miniatures saloon chair I restored, having it 'forzen in freefall' balancing on two legs. I hope this will convey a bit more of action and sense of dynamics.
 
I like your plans with this one Eric. The scenery you describe will make it very dynamic.
Given the high aim, you could try a minor conversion of the arm to change his aim to let's say chair level (shouldn't be too hard, just 10-20 degrees in the arm), or to have him fire in the air. The latter may be more appropriate for a 'good guy'.

But this is not necessary at all, just some thoughts.

Cheers,
Adrian
 
I think you're off to a good start, too, Eric. I might only add, he doesn't appear to be sighting along the barrel of the pistol, that his, he appears to be looking slightly to the left of the sight. Maybe the head could be repositioned?
 
Thank you Ferris and Baron. I like your ideas but I will paint Wyatt the way he is now. I'm to much afraid I might ruin the figure by breaking off resin bits when I start taking it apart again, not having any guarantee the outcome will be better than it is now. I'm not that adventurous when it comes to converting and sculpting up figures. Simply because I just don't have the skills to back up even the slightest conversions up. I aligned the parts to the body as best as possible. The resin was very brittle causing some loss of upper arm/shoulder due to breaking. This creeped me out. Luckily I managed to file this out.

Heres a picture of the boxart. Wyatts head might me slightly more tilted to the side but I don't really see a great diffrence with mine.
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Although I do see what you mean. I'm just to much of a jellowbelly to: 'skin that smokewagon and see what happens.'
 
I recently finished Wyatt Earp
Enclosed is also a youtube link with a 1 minute clip for a more dynamic presentation. I hope to improve on the next project. Earp seems to have had a bit of a stiff neck on this figure but other than that I'm fairly content with this piece which might get a little touch up here and there.
Hope you enjoy watching.
http://youtu.be/Aj-GBYUl8E0

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