Alpine -16026 US 1st Infantry Division "The Big Red One"

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T50

A Fixture
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Feb 3, 2004
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2,036
16026 US 1st Infantry Division "The Big Red One" (1/16)
Sculpture by Eduard Perez Delgado / Boxart by Dr. Jin Kim

16026aa.jpg

16026a.jpg
16026d.jpg

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16026f.jpg

16026m.jpg
16026l.jpg


For more info, please visit:
http://www.alpineminiatures.com
 
Mr Perez Delgado is a fine sculptor, but I have to be honest and say that I don't like his faces. They all seem to have a kind of doll-like character to them. (Others may disagree - just my personal opinion)

That said, if this figure has a separate head I will likely buy it and just swap out the head, because the rest of it looks great.

- Steve
 
nice paint job not my period but a great job and very nice sculpt should do well I think

ian
 
Fantastic....there is the possibility to see this figures in 1.35 mm too???? I have your last two us gi....but you said that you are working on another couple of 1.35 gi usa.......when they will be ready???

I like your two 1.35 british figure and i ll buy them trasforming in infantry figures!!!

CoNGRATulations.

Mario from Italy.
 
Guys, thank you all for the comments!

Steve, you won't be disappointed by the heads in this kit.

Mario, US infantry figs in 1/35 scale will be available at the end of the year.
 
Mr Perez Delgado is a fine sculptor, but I have to be honest and say that I don't like his faces. They all seem to have a kind of doll-like character to them. (Others may disagree - just my personal opinion)

That said, if this figure has a separate head I will likely buy it and just swap out the head, because the rest of it looks great.

- Steve



I agree with Steve. I think that Eduardo Delgado wants to put his signature in all his sculpts. He is after a triggering sign that can link his work to his person and not to no one else. This match is extremely difficult to do.


It is the hardest thing a sculptor can to do, positively. With this I intend to mean that elite sculptors can put their unique language, their personal style, in a figure and the viewer will instantly link the sculpting language to the sculptor. In my honest opinion, Carl Reid is the best in the world performing this - the style he developed is so unique that the audience can link his name to an immense array of monumental busts he created.


Coincidentally, Taesung Harmms the owner of Alpine also has a unique body language in all his 54mm figures - one can link his name to his creations too. And in the incredibly amount of figures out there in the small scale, I have to think in names such as the late Sid Horton, or the Spanish Raul Latorre to find sculptors who developed unmistakable and unique styles as well.


My personal understanding about Eduardo Delgado sculpts is that his heads are a bit controversial. I tend to think that the space between the eyes (that should match one eye) is a bit wider than it should be, and the muscle (Orbicularis Oculi) is also over enhanced. This intentional small exaggeration makes his heads somehow different. And some complain they look a bit cartoonist. So these features are not something universally acclaimed ... yet. But observing his past work, he is clearly improving and toning these down: The rest of this figure just shows how excellent he is - body language and body balance are impeccable, and the cloth folding too.


The search for a unique style is the dream of every sculptor - no need to present a formal written signature and everyone around links the piece to the person. Let's hope Eduardo can really reach the peak, his work demonstrates he is trying to achieve!
 
Really nice figure Alpine guys!
I'll definitely get it; head looks ok to me, but is anyway easy to exchange with any of the spare heads from other Alpine figures, if desired. I think the painting of the lower lip and pretty strong highlights next to it may give it a slightly 'boyish' look, but then again, many of these guys were very young.
Great release, like!

Adrian
 
Hi guys,

I agree with Blue Thunder's comment above.
In my case (odd), my goal is "not having a style as a style".
Obviously, it's not working for me. LOL.

As for Eduard's head sculpting on this particular figure, the
head looks old/young enough for the average fighting men during WW2...
and not looking cartoonish. What do you all think?

20140805_111120.jpg
 
Another nice one Taesung! (y)

About Blue Thunder's comment: I do not think that "style" is a quality that most sculptors (or painters) work to achieve. More often than not, it is a unintended outcome of an individual's attempt to do the best job they can. Those stylistic cues most often appear spontaneously and are the result of how that individual "sees" whatever it is they are trying so desperately to achieve.

Thus we often see faces that look the same no matter how many times the sculptor has tried to "change it up". The same can be said of drapery and any of a large number of other factors. Although style can certainly be cultivated, in the realm of "realist" sculpture (where most model figures belong) style most frequently happens spontaneously and without any deliberate attempt by the sculptor to guide the process.

At least that is how i see it. I hope, after nearly 30 years of sculpting, that my style has become something recognizable and worthy of my continued efforts.

If not, there is always macrame or stamp collecting...... :hungover:
 

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