Hans
Well-Known Member
- Joined
- Jun 8, 2011
- Messages
- 148
The recent thread on Pegasus latest Germanic Warrior inspired me to tell a short story about the invention of the fur claded, multi-sword-draped, fat, club armored Germanic warrior.
In 1876 Richard Wagner was to debut the now completed "Ring der Nibelungen" in the brand new opera house at Bayreuth. As costume designer the then famous artist Carl Emil Doepler was commissioned. He then invented the horn helmet, the winged helmet and the fur claded German. For weaponry he used several pledges from prehistory, mainly bronze age swords and early iron age swords, but no real germanic artefact. Remember, we write 1876 and nobody should blame him for that.
His designs survives up to today and could be found in the net:
http://www.flickr.com/photos/54525871@N05/5051269524/in/set-72157624969947145/
http://www.flickr.com/photos/54525871@N05/5050649963/in/set-72157624969947145/
http://www.flickr.com/photos/54525871@N05/5051271260/in/set-72157624969947145/
http://www.flickr.com/photos/54525871@N05/5051260146/in/set-72157624969947145/
These designs really where new, some attempts where made earlier to re-create the Germanics, mainly based on Tacitus' texts. But now these re-creations start to come to the public mind and the blueprint of the real germanic warrior was born. And the Viking, by the way.
Doepler's designs lastest long on the opera stage. Here is Karl Ress in Dresden, 1885, as Hundig, very similiar to Doepler's original design of 1876.
So, and now compare that to the latest Pegaso attempt....and you will see a perfect figure for a end-of-19th-century opera diorama.
I only hope that the figure designers will start to make the maestro and the orchestra also. Or stop making these figures and selling them as "Germanic warriors".
Hans
In 1876 Richard Wagner was to debut the now completed "Ring der Nibelungen" in the brand new opera house at Bayreuth. As costume designer the then famous artist Carl Emil Doepler was commissioned. He then invented the horn helmet, the winged helmet and the fur claded German. For weaponry he used several pledges from prehistory, mainly bronze age swords and early iron age swords, but no real germanic artefact. Remember, we write 1876 and nobody should blame him for that.
His designs survives up to today and could be found in the net:
http://www.flickr.com/photos/54525871@N05/5051269524/in/set-72157624969947145/
http://www.flickr.com/photos/54525871@N05/5050649963/in/set-72157624969947145/
http://www.flickr.com/photos/54525871@N05/5051271260/in/set-72157624969947145/
http://www.flickr.com/photos/54525871@N05/5051260146/in/set-72157624969947145/
These designs really where new, some attempts where made earlier to re-create the Germanics, mainly based on Tacitus' texts. But now these re-creations start to come to the public mind and the blueprint of the real germanic warrior was born. And the Viking, by the way.
Doepler's designs lastest long on the opera stage. Here is Karl Ress in Dresden, 1885, as Hundig, very similiar to Doepler's original design of 1876.
So, and now compare that to the latest Pegaso attempt....and you will see a perfect figure for a end-of-19th-century opera diorama.
I only hope that the figure designers will start to make the maestro and the orchestra also. Or stop making these figures and selling them as "Germanic warriors".
Hans