Gold lace

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:eek: :lol:

Why do I see you with a friggin beer in one hand , cigarette dangling from your lip saying "just tell us how you did the friggin thing".

NO



Just kidding. I will draw up some lace and post it within the next two days. It's really tough to explain without graphics.

Thanks for the interest.
 
Lou dood

That lace thing looks like it works great, can't wait to do my hussar with it

Robin

PS looking forward to article
 
Guy - could I please have a workbench too?

I will post some photos of Marshal Ney's gold lace in progress - my method is very similar to the one Lou describes, except I am working in oils and am applying thicker paint. I am sculpting the Marshal's oak leaf pattern as I paint - the base coat of paint is ~50% oil paint and ~50% impasto. Thanks - Colin
 
No Problem Colin, We will get you set up with a "Workbench" shortly.

guy


You are all set with a workbench Colin. (y)
 
Ok, here goes nothing. THe silver is a bit easier than the gold because unlike the gold where only the very tips of the highest highlights get a touch of paint, with Silver there is alot more highlight and reflection so there is one less step.

What I've done here for illustrative purposes only is fiddled with the photo of the Orleans Cavalryman in Photoshop in order to simulate the steps graphically.

Step one (no photo) is to paint the lace area in a dark Blue/grey/black mix. More like a dark dark grey with a dark blue tint to it.

Step 2 is to begin the highlighting process. Use the same mixture but add white in a ratio of 8 base to 2 parts white roughly.

See photo
 

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Step three is to add highlights of the same mixture as step two and add more white (about 50/50). Cover only the areas which would be getting some light. Note from the picture that only the darkest shadows will not be painted. This differs slightly with gold in that all of the shadows would still be somewhat dark at this stage. With silver I've found that it reflects more light even in the shadows.

See photo 2
 

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Step four is pure white on all areas that require highlights. Again, with gold, this would be limited to upper areas, with silver there will be more white as your eye is tricked into thinking it is metallic. At this stage the lace is done for silver. Although on this particular figure I think I overdid the white, this is where I mean it is tricky, because I find you constantly have to stop and hold the figure far from your eye in order to see if the effect is working. If you look at it too close it looks like exactly what it is - white.

I"ll try to see if I can find some in progress phtos of gold lace, as I find it much more challenging and for me, easier to screw up!

Until than, any questions-shoot away.
 

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Thanks Anders,

I just realized what Gordy was referring to was something for the "Articles" page and not necessarily here. How do I post an article?

Thanks
Lou
 
nice stuff! (y)
Articles are submitted in any form of your choice and sent to any of the staff (Anders, Guy or myself) then taken and compiled in a format consistent with planetFigure's layout.. at which point any translators are open to convert it.

any imagery sent along can be larger and less restrictive than the forums file size cap, as I will create a "clickable" thumbnail that will spawn the full size image..
example:
http://www.planetfigure.com/articles/buckle.php
 
I would love to see you do an article on this technique Lou. That way it would not be lost in the postings and 6 months from now it would be readily found in the articles section. I am also getting ready to do an article on "Native American" flesh technique using the humongous Warlord / Mongol bust I started in my Workbench. Figured that would be a good size to do an article on the technique. I would love to see Anders do an article on his fur he just created on the hat of his bust too.

guy
 
Lou-


Thanks for posting the pics and sbs too.

I'd love to see an article from you too.



Keith
 
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