Oils Looking for RAF blue mixes

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John Bowery

A Fixture
Joined
Nov 18, 2005
Messages
9,567
Location
Denton, TX.
Planeteers,
I am in the process of doing Roy Hunts "The Few".
I wondered if any body has a good oil mix for WWII RAF blue for the pilot, with lights and shadow colours. I use w/n oils
Any help will be better than what I have which is zero.
I have added a pocket to the pants of the ground crew and will be doing him in Khaki to break up the colours.

Thanks for any help.
Cheers
John
 
Planeteers,
I wondered if any body has a good oil mix for WWII RAF blue for the pilot, with lights and shadow colours. I use w/n oils

Hi John,

What a coincidence - I`m just in the middle of doing one of Ultracast`s RAF/RCAF figures! I've used the following mix for the RAF blue battledress and all colours are W/N oils to boot!

I started my base by mixing Ivory Black + Titanium White to get a middle grey tone, then start gradually adding French Ultramarine until it looks close to my reference pictures. What I'm aiming for generally is a middling blue with a strong grey undertone.The black and grey help to tone down the intensity of the French Ultramarine - too much of it can make the uniform look a little too bright and toy-soldierish.

For shadows I added a little more Black + French Ultramarine to the base colour, with deep shadows from a straight Black + French Ultramarine mix. The few very deep shadows got straight Black.

For highlights I added progressive amounts of Titanium White to the basic middle blue base colour, occasionally refined with bits of Black and/or French Ultramarine to keep it from getting too chalky looking.

Hope this helps. Please let me know if you get a mix that works better for you - always great to hear there's other old school oils guys out there!

Cheers,

Brian
 
Brian,
Wow, what a coincidence. That looks like a great mix to go with.
We can also see what else gets posted on this thread.
Good luck and show us the finished project.
Cheers
John
 
That's one of the mixing routes I would have suggested.

For shadows I would add black or dark grey only. For the highlighting, white by itself might do it but you may find the tints a bit too bright in which case just add a dab of umber.

...

I've recommended this basic method previously (for Feldgrau for example) and it's useful for mixing many duller colours when starting with artists' paints - you mix for the correct hue or 'parent colour', then just add enough grey to get it dull enough.

Ideally you'd use neutral greys for this but a simple black + white mixture can work fine, although you'll need to tweak a little more often because the hue can shift a bit towards blue.

Einion
 
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