Masked Roman

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Calvin

A Fixture
Joined
Nov 2, 2004
Messages
937
Location
Uhu?
First of all I would like to thank John Lea of United Empire Miniatures who gave me the opportunity to paint the boxart of this coming soon release. I do not consider myself a painter (I think this is the piece #12 I ever painted), and this is the first boxart I do for someone, so I am really excited. Hope to do not diminish this beautiful sculpt with my paint work.

The piece is an aprox. 1/9 scale bust of a masked Roman, a Roman Cavalryman in sports armor from the late 2nd century A.D. to be exact, sculpted by Shane Tarry. Here you can find the related thread.

As usual, the casting is impressive, in a word it is perfect, no bubbles, no mould lines, no imperfections at all. No cleaning required. You only need to cut the sprue, I wish the casting of my own pieces looks like this.

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and this is the little gem, the mask

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as you can see it is not a so big piece, which makes it easy handling and painting

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and here the piece once primed

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When still in Italy I was using a local product called 'cementite', a white primer with a very rough finish, the perfect basecoat. I cannot find the corresponding product here, so I used the Humbrol enamels, #34 (matt white) with some drop of #64 (matt grey). I found they are good enough, above all when using acrilics paints.
A very good primer is the Vallejo white aerosol, a small spray can, but I am unable to handle it correctly, I always end in a mess with a lot of paint hiding the finest details, so I prefer a brushable one.

Note that the little basement does not come with the kit. I love those beautiful wooden bases, but (do not laugh...) I am a very poor man so considering the current prices (up to 20 euros...) I decided to cast my own little base, to be painted as marble.

And here the final result, the Roman without the mask

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and wearing it

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I was really near to transform my camera and all the lighting stuff in a transfer on the wall, you know one of those beautiful decalcomanias, but finally I got the right light for the metallic stuff.

Here some more shots of the mask

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and a close-up

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I know, that subject is supposed to be a Roman Cavalryman in sports armor, and those kind of masks, mainly used during games or parades, generally were in very bright (almost aluminium-like) silver finish, but there were also some of them in bronze finish and for what I read it seems that it was also used in the battlefield somewhere, so I decided to paint an heavy weathered bronze version.

Comments and critiques welcome as usual.
 
A very sharp rendition of a Roman imago - it looks like you have it spang on.

As well, if this is only your 12th painted figure, that is amazing. It is very well done - great shading and coloring, particularly of the face.

Nicely executed!

Kyle

;)
 
Fantastic work Luca............the flesh.....the metals.........and the base marble. John knew what he was doing when he asked you to do the box art. Beautiful my friend.

Guy
 
WOW my friend :eek:

Very nice face, metals and marble. Very good.

I dont like the shadow blendings on the cape.... But it's not really important.
You've done a good job on the essencials parts (y)

It's hard to admit that you dont need me for boxart :angry:

Soon painters will have to pay to paint boxarts lol

JP
 
Really nice piece for painting and also a nice work from your side Luca.

I would like to listen the way you did the mask ! And your marble is ...fantastic
 
Thanks to all for your comments, I appreciate them. It was a fun painting it, the bust is very well sculpted so there are no problems at all.

Jean Paul you are right about the cloak, I still have some trouble while blending acrilics on a so big surface (well, :lol: so big at least for me...). I was looking at a basic oil set, but they are _really_ expensive..., I must persuade my mate to make me a gift...

Costas, thanks friend, metallics have been painted in a very simple way, only using (Vallejo) acrilics. I started with a (dense) basecoat of #62 Aluminium and once set I applied some very thinned wash using #939 Smoke (95%) and a microscopical amount of #981 Orange Brown, #983 Flat Earth, #950 Black, #68 Copper and #67 Bright Brass.
Next a thin layer of #540 Matt Medium to fix the current result (acrilics metal colours tends to lose its pigments), a very subtle drybrushing with #63 Silver Met and #878 Old Gold, another #540 layer and the final wash with #939 Smoke.
The Smoke from Vallejo it is not like the one from Tamiya, it tends to a brown, not black colour, so it is perfect for bronze and so on.

Hope to show you the photoshop'ed background as soon as possible.
 
Hi Luca,

You did a very good job on this one. The picture of the mask alone is looking like a real museum piece so your painting is spot on :eek: . Indeed the cloak could benefit from a more subtle highlighting and shading, but come on, this is only your 12th figure!!!


Originally posted by Calvin@Jun 26 2006, 12:58 AM

As usual, the casting is impressive, in a word it is perfect, no bubbles, no mould lines, no imperfections at all. No cleaning required. You only need to cut the sprue, I wish the casting of my own pieces looks like this.


Well they do, your castings are perfect too !

Best regards

Johan
 
Thanks Johan, to be honest I have the glaze medium for acrilics, but I am too lazy to use it, let see if with oils I can do a better blending on the next.
 
Ciao Luca
Complimenti
per la pittura ....... a quanto vedo te la cavi
piuttosto egregiamente ...............
bello anche il pezzo ...........abbastanza inusuale .............. Good Work

MAB :)
 
Thanks Marc e grazie Maurizio, ogni tanto qualche pennellata je l'ammollo, anche se non tutte vengono proprio bene...

I just sent the photoshop'ed sketchs for the boxart to John, hope to see that little Roman on the market soon.
 
Hi Luca

great work, seems such a shame to cover the face up after the brilliant painting. Also love the metallic finish of the mask excellent!!!!


Cheers Steve Walks (y)
 
Hey Steve, thanks for your comment. To be honest, after seeing some of your work on the Adrian Hopwood's website I was trying to emulate the way you contrast the figure, but it is obvious that the result is not the same...
Diego Ruina is one of my preferred painter due to his weathered style, and you regarding how to contrast a figure.
Hope to do something better with the next.
 
Luca,
nice work! You are a man of many tallents. I would like to see this figure with the mask mounted on the head but hinged in the "up-position". Would that be possible. It looks to have the hinge molded in to the mask portion. Great stuff!

Jay H.
OKC
 
Thanks Jay, yes it is possible to mount the mask as opened, but to be honest I do not like it so much in the up position, in my opinion it breaks the whole composition.
Maybe an 'half' open is better. Take a look at the pictures, but do not rely too much on the light, it was a pain to find the right one due to the metallic stuff and those pictures have been taken with full daylight (wrong).

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that looks a bit better for me

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and this to give you an idea about its size (and the one of the other piece...). After that Dante, painting the Masked Roman was like painting a wargame mini for me..., lol

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but it is also true that with a bit of patience and the right skill (not my case...) on a large scale you can reach a very impressive (realistic) result.
 
Luca,

You have done a great job on painting the bust. All that metal finish is a real challenge, but you have done very well with it.

Regarding the mask, as Luca has stated, in my opinion having the mask up ruins the composition of the bust. However, it is up to the buyer to do as they see fit. But it must be mentioned that very little detail was done to the interior contours of the mask. The only reason I created a seperate mask was because I felt like that was the only way to make the piece look realistic. It seemed odd to just sculpt eyes, so I did a whole face.

Again, good job, Luca

Shane
 
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