JohnReid
A Fixture
This is the composition so far around the lean-to area!
The next step will be to weather the lean-to flooring.I thought that this may be a good opportunity to review how I do my barn siding/flooring including the weathering with acrylics and pastels.
The flooring of the lean-to is made with tongue depressors cut to length and glued to a plywood base.They are birchwood I believe .Before gluing them down,on the bare wood I painted on a couple of very thin washes of Jo Sonja nimbus gray with a touch of raw umber.(Why Jo Sonja ? because it dries absolutely flat).I then took an old toothbrush and loaded it with very thin raw umber and finger flicked (my term) a spray of crud until I was happy.Then I took out the gray, black and brown pastels and shaded between the individual boards and in the edges and corners of the floor.An ordinary pin was used to create a nail pattern on the wood .Then with a HB grafite pencil I twisted in a little black into the holes to create nail heads.Now with a dab of watery raw umber the nail holes are swelled back again retaining their black coloring.The last step is a subtle use of a dab of watery burnt sienna to represent a little rust.(pics to follow)
When doing this I like to treat each section of flooring as though it was a palette upon which I am creating a picture of a floor .Because of the wood patterns each one is different and deserves individual attention.Do not try to take shortcuts,remember the floor of the lean -to is just as much part of your diorama and just as important as Jenny, to the overall success of the diorama.Believe me when taking pictures the camera will seek out the most obscure areas
The next step will be to weather the lean-to flooring.I thought that this may be a good opportunity to review how I do my barn siding/flooring including the weathering with acrylics and pastels.
The flooring of the lean-to is made with tongue depressors cut to length and glued to a plywood base.They are birchwood I believe .Before gluing them down,on the bare wood I painted on a couple of very thin washes of Jo Sonja nimbus gray with a touch of raw umber.(Why Jo Sonja ? because it dries absolutely flat).I then took an old toothbrush and loaded it with very thin raw umber and finger flicked (my term) a spray of crud until I was happy.Then I took out the gray, black and brown pastels and shaded between the individual boards and in the edges and corners of the floor.An ordinary pin was used to create a nail pattern on the wood .Then with a HB grafite pencil I twisted in a little black into the holes to create nail heads.Now with a dab of watery raw umber the nail holes are swelled back again retaining their black coloring.The last step is a subtle use of a dab of watery burnt sienna to represent a little rust.(pics to follow)
When doing this I like to treat each section of flooring as though it was a palette upon which I am creating a picture of a floor .Because of the wood patterns each one is different and deserves individual attention.Do not try to take shortcuts,remember the floor of the lean -to is just as much part of your diorama and just as important as Jenny, to the overall success of the diorama.Believe me when taking pictures the camera will seek out the most obscure areas