Mike’s Captain Phil by Phil Done!

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I can only repeat what I wrote in April 2022, when Mike first showed this gentleman: "Holy cow! Doesn't look like a model, but like the man himself come to life."
With the base it's even more true.
We're not worthy, oh master...
Karl
Karl near to hear you remember original post thank you for posting again & good hearing he looks Ok with some background.
No question that Phil is, was and always will be the Master of ANZAC sculpts, but there’s also no doubt that you are the master of ANZAC painters Mike. Great job mate.
Lovely to hear from you Tony.
Happy ‘24 to you again.
You’ll understand how neat it was to be entrusted by Phil with this special Aussie legend.
He may not have many projects nowadays but neat breathing life back into one of his originals.
MikeTheKiwi
 
Mike, I like how ya did this. Can you add more pics of the vignette from a distance, I really would like to see the whole shabang. Incredible work, Mike!
Thank you again Steve, Happy ‘24 to you mate!
Full view attached mate, not much more but gives you full sense of him.

930C7CFD-76F8-4C0A-9488-92C63982EC6C.jpeg


MikeTheKiwi
 
Simply brilliant Mike. Outstanding brushwork from a master figure painter. The leather work on the holster is amazing.

From memory the figure is of Captain Phil Fry, 10th Australian Light Horse Horse Regiment, from Donnybrook Western Australia. Killed in action at Hill 60, 29 August 1915 aged 33 years.

Cheers mate
Chris
 
I’m not sure Napoleonics, depending on campaign I suppose were quite as messed up as these Gallipoli guys.
I always do try to get figure to be representative of the location they are in, so tend to go for gritty subjects.
What era are your Nappies from?
They are the "duelling" Scots Grey and Cuirassier from Waterloo sculpted by Marcus White (using Carl Reid components). As it's Waterloo, they will definitely be a bit mucky..... But it's more the treatment of the cloth, flesh and equipment that I will try to use some of your approaches, which I think work well in this larger scale.
 
Beautiful work Mike. Mind if I ask a question re. technique? When I'm trying to create texture, particularly stippling, I generally use thickish paint so that I get clearly defined 'spots' and then use glazes to bring them together. Looking at this, it looks as though you're using thinner paint in bigger spots and layering to produce more variation and so more texture. Is that fair? Sorry, it's hard to explain and I've not done a great job.
 
What's so notable about all of Mike Butler's work is not only his brush skills
and ability to manipulate colour but his almost uncanny detailed observation.
On this one it's the close stubble on his chin, the impression of fairish hair on
his forearms, the callouses on his palms. Then there's the worn cracked leaher.
He hasn't missed a trick in creating the character of an indomitable Aussie at
war.....It's as if he can think with a paintbrush,

Mike
 
Simply brilliant Mike. Outstanding brushwork from a master figure painter. The leather work on the holster is amazing.
From memory the figure is of Captain Phil Fry, 10th Australian Light Horse Horse Regiment, from Donnybrook Western Australia. Killed in action at Hill 60, 29 August 1915 aged 33 years.

Cheers mate
Chris
You’re exactly right Chris, an amazingly provocative photo was PhilW’s & my inspiration for this.
Holster’s leather is old fashioned oils too :)


IMG_3994.jpeg
 
Tremendous Mike.

As others have touched on the textures and details are very nice. I love the weathered skin and the face complextion.

One of the first things I noticed was the little bit of flesh under the cap on his head that hasn't been sun burnt.
That's attention to detail!!
Superb!
 
A marvelous example of how good figure painting can be. I have looked at all of your photos for a long time - there is so much to take in. Many aspects described in your book are displayed in this piece, and I'm finding much inspiration from this work alone. And superb photography, too. Looking forward to your future projects, Mike!
Cheers,
Gary
 
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