Mark,
So many remarks are taken the wrong way;apparently this was one.Believe me,I am following this thread with great interest and the remark was not directed to Ron..............Wayne
Wayneb, Appologies!.. Pulled the post!... the written word, is always open to interpretation! I am sure Ron will be pleased that you are following, as am I, it is very informative.
This is outstanding Ron, It makes a huge difference someone actually showing a technique and leading by examples and demonstrations of their work other than someone just spouting forth "advice".
I will definitely be trying some of this stuff and have already picked up loads from it.
Ron. The diamond pattern, on the bottom of your shield! was achieved how?... Free hand, or the use of a mask?. and stippling!... as free hand is my worst nightmare! especially with my hands!.
Thanks Gells, your comments are much appreciated. It makes it all worthwhile that people can gain from this SBS. Please give it a go as I think you will enjoy the results. Any questions or tips, just ask.
Mark the diamond pattern was freehand. Look at it for a minute and the layout becomes very logical to follow and, quite simple to achieve. You could use water colour pens/pencils if that would be easier for you to control.
With head and shield 99% done I have now worked the cape, leather and metals on the torso.
By using varying shades between the straps and chest piece I have tried to give the impression of different ages to the leather. With the 'Hub' on the chest I used a base of Vallejo Bronze and Oily Steel plus a hint of Gunmetal Blue. Oil shading was a mix of Van Dyke Brown and Burnt Umber. Buckles etc. were Steel, hi-lited with Silver plus a hint of Brass
To achieve the finishes to both the leather and metals I have used only previously described techniques, so won't bore you by going into detail again. If anyone would like more details please let me know.
In the pics above I think you can clearly see the sheen on the skin that comes from using this technique. The cloak has the merest hint of a sheen which will go completely in a couple of days. Vallejo metallics also respond very well with this technique.
Ron,.. This just keeps getting better and better!..The leather effect is really good. Here is another question. Have you ever used soft, pencils such as 3-6B, on buckles etc, and the harder H pencils on finer bits.
Yes I have played with pencils. Problem with graphite is it's longevity. Has to be sealed so goes dull, and not very light fast. A lot of AFV modellers use graphite to hi-lite small details on vehicles etc.
So!.. Would an artist's fixative!... for pencil drawing, have an effect! on paintwork??... ie!. the fixative, being pooled, then applied with a brush?.. would that work??
Hi Mark, the one success I had with fixing it and, holding the gleam, was to use W&N Liquin. Only downside, you can see it is sealed. Put another way, it loses its metal sheen and looks 'false'.