My Way With Oils

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Ron,... Ron T,.. Has got 'Make-up', brushes, nail varnish!... and was enquiring about a piece called, 'A fairey wear's boots'.:D.. Hmm!

Ron T.... the game is up! :LOL:

Mark

Mark some fairies are rough and some roughs are fairies Quote and the water here is superb when mixed with Barley & malt

Ron T
 
Ron, what a striking, colour you have used for his cloak!... and the explanation of your colour mix!... It does power into the eye!... It all seems so simple when reading! ......Grrrrrrr! This is going to be fantastic piece to see in its complete form. I like many others appreciate your time and effort, in doing this. It is so good!

Mark
 
Thanks a lot Mark it means a great deal. When this bust was first released it was duly noted that it lacks historical accuracy but, as I said before, for me it is about the pleasure I derive from seeing what I can do with it. This one seemed an ideal subject to play around with colours and finishes. I am glad that you are enjoying this thread and hope the final piece meets your expectations. If it helps others to view oils as a more versatile medium than they thought, then I will have succeeded in giving back to the members of PF, a little of what I have gained.

Cheers

Ron
 
WTF ! Obviously this thread is not serving the purpose I hoped it would for some and it seems I am wasting my time so will call it a day..

It was only a bit of fun Ron I am following your work closely, Mark pokes a few at me I just like to nudge back a little
I apologise if it was offensive

Ron Tamburrini
 
Just catching up with this Ron, coming on very well buddy ! The metal areas look particularly nice.

It's just banter Ron, get back to it when you can : )

Carlos
 
I paint today with your method a sash.
Unbelieveble how quick it goes with great result.
Question: I started with the shading color and above that the base etc.
Now for the highlight let you dry it first, or are you paint the highlights more then one time (makeup between every run) untill you get "the look".

Marc
 
Hi Marc, Glad your enjoying the results. By shading colour do you mean the 'scrub' coat, and the 'base' being your first layer of oil colour. If so, then you can choose to remove all the colour from the hi-lite areas and go straight in with your chosen colour. Or, you can leave a thin glaze of the previous colour on the hi-lites which will give the hi-lites an undertone of the mid colour. If you choose the second, then let it dry. This is useful when working with yellows or red. You can thin back between each colour with the make-up brush if you want very subtle hi's or, apply the colour mixed darker, for a one coat layer when thinned back. This is one of the advantages of this technique, in that you have several choices to achieve different results.
I always apply the rule of " keep the brush clean' for the best and, most subtle, results'. Hope this helps, but if you need any more help just ask.

Regards

Ron
 
Ron T,. (lol).. Of course, I'm a big fan!.., However, not the 'Cathy Bates', type.... although I do like the name Cathy!.:whistle: ..... Ron, is helping me so much, in bettering my painting skills, with different methods and techniques etc. Who could help being a fan!

Sincerely,

Cathy, xx. Sorry! Mark:LOL:
 
1-Crusader-Aluminium.jpg Ron, this is the Medieval linen weave, for cloaks, that I talked about!.. but the wool is much finer!

Mark
 
That would fit with my wire brush thoughts. For the wool I think spray mount would work well. Should have next update posted 2nite or 2moro evening.

Ron
 
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