mick3272
A Fixture
Hi Neil
I don't mind helping and providing kits etc.
I have sent you a pm
Stuart
That is very kind, and helpful Stuart.
Thanks
Mick
Hi Neil
I don't mind helping and providing kits etc.
I have sent you a pm
Stuart
Ron. I agree to a certain extent .
But as a punter as I would be, I would have to pick the class that I attended. In an ideal world you would have beginners, intermediate, & master class. Then you would have to look at the subject, figures, busts, horse's etc etc
By attending a class at the right level is key, One weekend class wouldn't increase my skills to Yours, Brian's or Kev's level, but I feel sure I would leave with a greater understanding and my skill level would improve no end.
I do accept that if (fingers crossed) this can get off the ground. The classes available may not suit all.
But I think its worth a go, and if its not tried we wont know.
Mick
No there is nothing wrong with the idea Mick , its about expectations . and faces would be a great place to start.
I have sat and watched Fernando Ruiz paint a face in 10 minutes with super results and this was at a show , I have no doubt his seminars would be great as would be Cartacci or Parsquali
Sorry Ron I didn't mean to imply you were against it. I think we are singing the same hymn book but slightly different versions.
Speaking for myself my faces were pink, darker pink for lips, and two black spots for eyes. Having looked at video's, read articles etc with no or very little improvement I sought some advice/help from Gra (CGS) I can now paint a face that looks like a face . Still a lot of room for improvement but getting there.
I would willingly pay hard cash to sit with a tutor NOT to watch him/her but to paint under his/her direction.
My wish list would be for Faces.and Shadows, highlights, and shading. As both subjects are an art form in there own right
Mick
This might upset some
I wonder just how much one can get out of these seminars ' sure its great to see a master at work be it painting musician ,Kendo, Aikido etc.
There is only so much you can take in at the one session ,generally 2 hours max no matter what it is .
Having been involved on both ends of these, both as a student and helping arrange them at Shows, there is a huge difference between a seminar and workshop. Seminars are usually free and give you highlights to take home and practice. Workshops have a charge and are always hands on. Materials are usually provided (and stated ahead of time) along with the object being painted the same for everyone. The key is to have only the amount of students that the instructor can handle. I have to say that I have never heard anyone who attended a workshop be unhappy with the results. Knowing some of the artists work beforehand, you could see a noticable difference afterwards.
In my opinion a person should not enter a workshop strictly for painting skills when the object doesn't match their interest; bust, figure, etc. At the MFCA/APG Show this year, Penny Meyer is conducting a workshop on flats. She is an excellent instructor, but flats might not interest every figure painter.
I took a seminar once on Aikido/ Acyrlics where at the end we were taught how to throw around oil painters
Bob