Andrea Buondelmonti degli Scolari called Pippo Spano, tuscany soldier of fortune, from a fresco by Andrea del Castagno, XIIV-XIV cent., in 90 mm, all in acrilic
Nice paint work, althoug I am a bit puzzled by the fuller on the blade - it seems to stop somewhere behind his hand and I cannot think of a reason why this would be the case.
Any sword experts can explain this to me? Enquiring mind wants to know.
Nice paint work, althoug I am a bit puzzled by the fuller on the blade - it seems to stop somewhere behind his hand and I cannot think of a reason why this would be the case.
Any sword experts can explain this to me? Enquiring mind wants to know.