WIP Private 7th Fusiliers 1854

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Don't say back with his first love Keith or this SBS will never happen, have you ever tried to prise the bottle out of a drunken sailors hand:rolleyes::LOL:

Looking forward to this mate, good job your not doing a Greek subject, dipping your brushes in that Ouzo does no good for reshaping the brush point.

I'll be watching this with real interest as I have a complicated flat to tackle at some point.

cheers
Richie

That reminds me, the ouzo and Tsipouro bottles are getting a bit low, I can feel a holiday coming on. :D
Glad you're finding this of interest and I'll see you next Friday.
 
Hi Roger,
I have a serious question. I have a flat diorama that has numerous figures in tight action. Would you paint one fully as a focal point and then branch out to the next adjacent figure and then complete that one, or would you base coat everything from greyscale and tackle them all together?
cheers
Richie
 
Hi Roger,
I have a serious question. I have a flat diorama that has numerous figures in tight action. Would you paint one fully as a focal point and then branch out to the next adjacent figure and then complete that one, or would you base coat everything from greyscale and tackle them all together?
cheers
Richie


Hi, I hope it s OK if I ll enter to the conversation.......
Richie, it depends on if it is in one piece - vignette or separate figures. If in one piece, I guess you should paint at the beginning by Grisaille as you are pre-painting shadows, overlap shadows etc...... if separate figures it depends on location of each figure, but maybe I m wrong :whistle:
 
Hi, I hope it s OK if I ll enter to the conversation.......
Richie, it depends on if it is in one piece - vignette or separate figures. If in one piece, I guess you should paint at the beginning by Grisaille as you are pre-painting shadows, overlap shadows etc...... if separate figures it depends on location of each figure, but maybe I m wrong :whistle:

That's absolutely fine with me Jozef and I'm in agreement with that method. (y)
It also makes life easier if you are mixing colours, for example for the shadows on a red coat, (assuming you're painting red coats. ;) ). You can use the mix for all the figures in the keeping a uniform appearance.
If there's any horses involved then you can paint them individually as by nature they vary in colour and shades within that colour.
 
Shading of the trousers and cap.

Lamp Black.

IMG_4921.JPG

Blended and a bit more...

IMG_4922.JPG

IMG_4923.JPG

IMG_4924.JPG

The blending was done with this and she doesn't even know it's missing. :LOL:

IMG_4925.JPG
 
Hi Roger,
So when you started this Fusilier, did you paint it in greyscale first for the shadows and highlights? and the lay over the colour? Is that what Grisaille is? Thanks for the article (flats for dummies) I will have a thorough read of that.
Cheers
Richie
 
So when you started this Fusilier, did you paint it in greyscale first for the shadows and highlights? and the lay over the colour? Is that what Grisaille is?

Yep, that's what it is and no I didn't 'cause I'm too lazy. :D


A similar effect can be achieved with washes, I'll try and demonstrate what I mean on another section of this fig.
 
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