Completed Banovic Strahinja Finised
- Thread starter Akritis
- Start date
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gordy
A Fixture
Simply fabulous George 
Congrats on the completion!
Congrats on the completion!
Richie
A Fixture
Hi George,
Excellent work, very Pre-Raphaelite.
cheers
Richie
Excellent work, very Pre-Raphaelite.
cheers
Richie
Superb work.
Carl.
Carl.
Theodoros
A Fixture
Bravo George ! Nice pose and groundwork!
Tecumsea
PlanetFigure Supporter
Great work George, that groundwork must have taken forever.
megroot
A Fixture
This is awesome.
What a great basework.
In my opinion it is years back that i saw basework so far buildup outside the original wooden base.
Marc
What a great basework.
In my opinion it is years back that i saw basework so far buildup outside the original wooden base.
Marc
btavis
A Fixture
Pre-raphaelite indeed. Reminds me of a John Waterhouse painting.
Showlen
Well-Known Member
Jaw-dropping!! Some of the best groundwork I've ever seen. Fantastic job!
Ronnie
Ronnie
Ethan
Well-Known Member
Absolutely stunning!
Akritis
Well-Known Member
Thanks a lot
The story of Strahijna:
http://www.planetfigure.com/forums/showthread.php?t=41343&highlight=bANOVIC
The story of Strahijna:
http://www.planetfigure.com/forums/showthread.php?t=41343&highlight=bANOVIC
Akritis
Well-Known Member
THE STORY:
Strahinja Banović or Strahinjić Ban (Serbian: Бановић Страхиња) is the name of the unhistorical nobleman and knight depicted in the Serbian epic poem of the same title.
As stated in the poem, Strahinja ruled a small feud in Kosovo prior to the Battle of Kosovo (1389). His wife Anđelija, daughter of noble Jug Bogdan gets kidnapped by Bashi-bazouk Vlah Alija after Turks ravaged absent Strahinja's castle. Strahinja asks Jug Bogdan if he and Anđelija's brothers (the Jugovići) could help him rescue her, but Jug Bogdan refuses, presuming that Anđelija had slept with the kidnapper, which is a great shame to the family. On his own, Strahinja seeks for Anđelija in the fictional Goleč mountain, where Vlah Alija is stationed. Strahinja finally finds them, but Anđelija openly betrays him for Vlah Alija. Strahinja slices Vlah Alija's throat with his teeth, as a wolf would kill a sheep and returns to his father-in-law's estate with his wife where her brothers wait to kill her. Strahinja steps in front and tells them that he had forgiven his wife.
The greatest significance of the song is in the contrasts that arise between traditional and human: Representatives of traditional morality in the poem are members of the Jugović family (brothers and father of the abducted Andjelija), while Strahinja is a figure that goes beyond the limits of the laid down norms and relies only on his own humanity. Whether the addultery was intentionally committed or the woman was abducted and raped, the penalty for the adulteress has traditionally been the death. Banović Strahinja condemns the inhumanity and primitiveness of such understanding, and shows a deep knowledge of the human psyche seeing that his wife has betrayed him not because of the love of the kidnapperr, but out of fear for her own life, knowing the traditional punishment.
Strahinja Banović or Strahinjić Ban (Serbian: Бановић Страхиња) is the name of the unhistorical nobleman and knight depicted in the Serbian epic poem of the same title.
As stated in the poem, Strahinja ruled a small feud in Kosovo prior to the Battle of Kosovo (1389). His wife Anđelija, daughter of noble Jug Bogdan gets kidnapped by Bashi-bazouk Vlah Alija after Turks ravaged absent Strahinja's castle. Strahinja asks Jug Bogdan if he and Anđelija's brothers (the Jugovići) could help him rescue her, but Jug Bogdan refuses, presuming that Anđelija had slept with the kidnapper, which is a great shame to the family. On his own, Strahinja seeks for Anđelija in the fictional Goleč mountain, where Vlah Alija is stationed. Strahinja finally finds them, but Anđelija openly betrays him for Vlah Alija. Strahinja slices Vlah Alija's throat with his teeth, as a wolf would kill a sheep and returns to his father-in-law's estate with his wife where her brothers wait to kill her. Strahinja steps in front and tells them that he had forgiven his wife.
The greatest significance of the song is in the contrasts that arise between traditional and human: Representatives of traditional morality in the poem are members of the Jugović family (brothers and father of the abducted Andjelija), while Strahinja is a figure that goes beyond the limits of the laid down norms and relies only on his own humanity. Whether the addultery was intentionally committed or the woman was abducted and raped, the penalty for the adulteress has traditionally been the death. Banović Strahinja condemns the inhumanity and primitiveness of such understanding, and shows a deep knowledge of the human psyche seeing that his wife has betrayed him not because of the love of the kidnapperr, but out of fear for her own life, knowing the traditional punishment.
davidmitchell
A Fixture
Wonderful work George I love everything about this, superb!!!!!
Cheers David
Cheers David
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