Chasseur a cheval

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Theodoros

A Fixture
Joined
Nov 17, 2003
Messages
1,208
Location
Athens - Hellas
Recently, I dared to paint some busts of the napoleonic era. They demand detailed painting in a way to point out the beauty of the uniform. And the napoleonic uniforms are really very beautifull !
Sometimes like parrots, but always beautifull ! :)
So, this is the Chasseur's a cheval bust, sculpted by Carl Reid, coming from the range of Mitches Military Models (http://mitchesmilitarymodels.co.uk/?product=bfcc-chasseur-a-cheval).
Is painted with artistic oils over enamel base coat. I tried to give it a painting quality that deserved.
Any comment is very wellcome.

Thanks for viewing !
untitled_b_-_10__sized_l.jpguntitled_-_13__sized_l.jpguntitled_-_9__sized_l.jpguntitled_14__sized_l.jpg
 
Lovely finish there , this bust will be the subject of a joint project between myself and Jimbo ......but with a twist !

Really like the colours on this especially the lacework ...as Huw said do share the colour details

Thanks for showing just how good it can be

Nap
 
Lovely finish there , this bust will be the subject of a joint project between myself and Jimbo ......but with a twist !

Really like the colours on this especially the lacework ...as Huw said do share the colour details

Thanks for showing just how good it can be

Nap

Huw and Nap, thank you both for your kind comments.

As I said, my painting method is oils over enamel base coat.
I prefer the enamel base, since I found that the artistic oil does not slip on an enamel surface, as it does on an acrylic one. And I use the oils, because it is easiest way for me to achieve a smooth transition between the color tonalities from deepest shade to highest highlight. So the technique I follow is more or less known to the majority of old fashioned figure modelers.

The main color in this particular bust is the deep green. Using bibliography and calculating with the eye, I ended up in a shade approaching the color of the cypress.

I started with very dark green or cypress color, almost black, enamel color . Then I used as a base color a mix of the following oil colors (the ratio is given in about):
  1. cinnabar deep green (Maimeri color, about 20%),
  2. chromium oxide green (van Gogh color, about 15%)
  3. green earth (van Gogh color, about the rest 65%).
In the shadows I emphasized mixing black directly into my basic mix. The highlight was done using yellow ochre and Naples yellow hue as I never use pure white to highlight green.
Both shading and highlighting were done wet-on-wet and additionally, where needed, wet-on-dry. My aim was not to overcome it because the fabric when thick - as in our case - does not make great tonality differences between shadows and highlights.

The lacework always is my nightmare... So in this case too. My method is: liquid color of yellow (mixed with minimum metallic gold) on the brush and lot of corrections with cypress/black color, highlights with white brushstrokes wet-on-wet, along with a lot of patience.

At your disposal, for any further information.


PS : I painted this bust listening to this insipiring music :
 
Excellent work. Very well done face with terrific eyes. Is the gold lace non metallic. If so care to share your palette?
Clrsgt , thank you for your kind comment. About your question, I have to say that no it is not mettalic. It is a mixture of several yellows, basically of Naples yellow and yellow ochre, plus a bit of "old gold" Winsor and Newton oil. Highlights with white wet-on-wet and shadowing with purple. As I saw in several pictures of re-enactors uniforms, there is not mettalic lace. Mettalics are the buttons. Thanks a lot for your interest !

image.jpeg
 
Thank you Paul, Since there is no box art for thi bust, I had your's version along with another one found on Planet figure, as a painting guide. So, congratulations and lot of thanks to you too.

Really? That's nice of you thanks !
I can't get bored of seeing a different version of this.

P
 
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