JohnReid
A Fixture
Warning!! the next picture that you see may be disturbing to some viewers, yes it is a car. I used it here only for information purposes.Airplane,RR,figure guys etc...will just have to try to avoid looking at it ! Please let me explain.
The pic below depicts a car of course but it really could be anything.The point here is the backdrop and how it was used to create a little vignette within the larger diorama.
Here I have taken a 1/18th scale car and put it in a 1/16th scale diorama.By using camera angles,lighting,focus,forced perspective etc... I was able to create the illusion that it is all the same scale.
I deliberately selected a very shiny new car right out of the showroom for this example. Using proper lighting I was able to control any excessive shine which would otherwise only serve to make it look toy like.This is especially true of figures.You have to learn how to control the shine.Even in this picture it is still quite shiny but you should see it if I didn't play around with it a bit.
My technique is very simple, I just experiment and shoot lots of pics using different kinds of lighting.I have no professional equipment and I use a point and shoot camera.(In the old film days ,I wound be broke by now.)If you get 1 in 20 that looks good you will be lucky.Don't spend a lot of time and money on fancy equipment,you just don't need it.Most of my pics that I am taking now of an outdoor scene I just bounce the light off a white ceiling and use a hand held clip on light with a 60W bulb to produce shadows.Don't be afraid to keep moving the light around by hand until you get what your looking for.Sometimes an accidental shot will be the best of the bunch.
For my indoor shots in hangars etc.. I usually set up overhead lighting controlled by a rheostat especially when I am using figures to take advantage of the shadows that this produces, which is usually better than anything that I can paint on by hand.Simply underpaint only and play with the light to bring out the detail.In a controlled light setting this works very well.My figures for example look best indoors and in artificial light.Outdoors I have got to work a little harder but either way I am no Shep Paine with painting figures,that's for sure.
To make the scene look like it is all one scale there are a few things that can be played with.Camera angle is one.Low angle shots worked best in this case as it distorts the scale.Out of focus background also helps.Take shots that don't give it away.For example anything that is of readily known proportions like figures in the foreground or windows in the background must be used very carefully.In the above pic for example the fence can come in various sizes in real life but everyone knows the approximate size of a standard door or window from that era.
to be continued.......
The pic below depicts a car of course but it really could be anything.The point here is the backdrop and how it was used to create a little vignette within the larger diorama.
Here I have taken a 1/18th scale car and put it in a 1/16th scale diorama.By using camera angles,lighting,focus,forced perspective etc... I was able to create the illusion that it is all the same scale.
I deliberately selected a very shiny new car right out of the showroom for this example. Using proper lighting I was able to control any excessive shine which would otherwise only serve to make it look toy like.This is especially true of figures.You have to learn how to control the shine.Even in this picture it is still quite shiny but you should see it if I didn't play around with it a bit.
My technique is very simple, I just experiment and shoot lots of pics using different kinds of lighting.I have no professional equipment and I use a point and shoot camera.(In the old film days ,I wound be broke by now.)If you get 1 in 20 that looks good you will be lucky.Don't spend a lot of time and money on fancy equipment,you just don't need it.Most of my pics that I am taking now of an outdoor scene I just bounce the light off a white ceiling and use a hand held clip on light with a 60W bulb to produce shadows.Don't be afraid to keep moving the light around by hand until you get what your looking for.Sometimes an accidental shot will be the best of the bunch.
For my indoor shots in hangars etc.. I usually set up overhead lighting controlled by a rheostat especially when I am using figures to take advantage of the shadows that this produces, which is usually better than anything that I can paint on by hand.Simply underpaint only and play with the light to bring out the detail.In a controlled light setting this works very well.My figures for example look best indoors and in artificial light.Outdoors I have got to work a little harder but either way I am no Shep Paine with painting figures,that's for sure.
To make the scene look like it is all one scale there are a few things that can be played with.Camera angle is one.Low angle shots worked best in this case as it distorts the scale.Out of focus background also helps.Take shots that don't give it away.For example anything that is of readily known proportions like figures in the foreground or windows in the background must be used very carefully.In the above pic for example the fence can come in various sizes in real life but everyone knows the approximate size of a standard door or window from that era.
to be continued.......
