- Joined
- Aug 13, 2009
- Messages
- 6,037
Fair to say I reckon that in the grand scheme of things, ours is a bit of a “niche” hobby. Added to which there are the “niches within a niche” (guys who only paint fantasy, guys who only paint certain scales or certain eras, guys who only paint busts etc. etc.)
All of which has often led me to ponder, how many units of any particular piece does a manufacturer need to shift in order for said piece to be a “big seller”? 100? 1000? 5000? 10,000?
It puzzles me because there are pieces that have been in companies’ ranges and (apparently) in production for donkeys’ years, yet I’ve never seen a single one of painted up either online, in print, in anyone’s cabinet or at a show.
But given they’ve been (or were) readily available for a long time, you’d think that someone somewhere must be buying them! Or maybe not? Were an initial (say) 500 cast that hardly anyone bought, hence there are plenty still to be had from various outlets?
Companies are often cagey (perhaps understandably so) about their exact sales figures for any given figure. But I for one would be fascinated to know if anyone has any info on this - or even if any manufacturers reading this might be willing to give us a clue.
And that brings me on to a follow-up question about “Limited” releases.
Obviously something like 20 or 50 units is pretty “Limited” in anyone’s books, with such releases quickly attaining “rarer-than-rocking-horse-poo” status and becoming “holy grails” - Chris Clayton’s “Hush” bust (50 units if I recall correctly) and the SKA Project 54mm Hougoumont 1815 vignette (20 units) being good examples of these.
But when we’re talking "Limited releases" of 300, 500 or 1,000 units, is that really “Limited”? Or are there still going to be plenty hanging around in dealers’ stocks and still available 5 years after the initial launch, and the whole “Limited” tag is just a marketing ploy playing on the “FOMO” factor in order to boost sales to waverers who otherwise might not have bothered?
That'll depend of course at least to a degree on the quality and (subjective) desirability of the piece in question, and will vary from figure to figure. But as a rule of thumb, how “Limited” does a release have to be in order to be truly “Limited”. Can we even generalise like that? I for one don't think that 1,000 sounds particularly "Limited" whatever the subject is. But others may disagree.
Interesting questions I think, hence I thought I’d throw them open to thew wider membership to ponder and comment on.
- Steve
All of which has often led me to ponder, how many units of any particular piece does a manufacturer need to shift in order for said piece to be a “big seller”? 100? 1000? 5000? 10,000?
It puzzles me because there are pieces that have been in companies’ ranges and (apparently) in production for donkeys’ years, yet I’ve never seen a single one of painted up either online, in print, in anyone’s cabinet or at a show.
But given they’ve been (or were) readily available for a long time, you’d think that someone somewhere must be buying them! Or maybe not? Were an initial (say) 500 cast that hardly anyone bought, hence there are plenty still to be had from various outlets?
Companies are often cagey (perhaps understandably so) about their exact sales figures for any given figure. But I for one would be fascinated to know if anyone has any info on this - or even if any manufacturers reading this might be willing to give us a clue.
And that brings me on to a follow-up question about “Limited” releases.
Obviously something like 20 or 50 units is pretty “Limited” in anyone’s books, with such releases quickly attaining “rarer-than-rocking-horse-poo” status and becoming “holy grails” - Chris Clayton’s “Hush” bust (50 units if I recall correctly) and the SKA Project 54mm Hougoumont 1815 vignette (20 units) being good examples of these.
But when we’re talking "Limited releases" of 300, 500 or 1,000 units, is that really “Limited”? Or are there still going to be plenty hanging around in dealers’ stocks and still available 5 years after the initial launch, and the whole “Limited” tag is just a marketing ploy playing on the “FOMO” factor in order to boost sales to waverers who otherwise might not have bothered?
That'll depend of course at least to a degree on the quality and (subjective) desirability of the piece in question, and will vary from figure to figure. But as a rule of thumb, how “Limited” does a release have to be in order to be truly “Limited”. Can we even generalise like that? I for one don't think that 1,000 sounds particularly "Limited" whatever the subject is. But others may disagree.
Interesting questions I think, hence I thought I’d throw them open to thew wider membership to ponder and comment on.
- Steve