Humbrol Enamel Help

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jdun91764

Member
Joined
May 13, 2004
Messages
9
Does anyone out there use Humbol for the flesh tones on their figurs?

After seeing Young Wons figures up close this year at SCAHMS, I was utterly amazed at the results he achieves. They are some of the best painted figures I have ever seen.

Can anyone give me some help on Humbrol colors and technique used for figure flesh tones?

Thanks-

James
 
My starting mix is:
50% 61 Flesh
40% 110 Natural Wood
10% 73 Vine

Shadows
First more red and natural wood.
Then obmit the flesh and add a little black.
Next is just red and black.
Last is almost pure black.

Highlights.
Flesh + white.
Just add more white the brighter the highlight.
 
Janne,

Sorry, you and I were posting at the same time and I was unaware that you worked in Humbrol's ,so James here is a an answer for you. :)

Joe
 
Adrian Bay paints with Humbrol and he uses Winsor and Newton Artist's White Spirits to thin. I have seen W&N English Distilled Turpentine in the USA but not the White Spirits. Anybody know where it can be obtained?
 
Back home from work with a little more time to write an proper answer Ill try to develop the technique some more.

I thin with Lack-Nafta which is a local stronger version of White Spirit. White Spirit or Essence the Petrol works just fine.

A good tip is to put on the base colour and let it dry for at least 24 hours. Just little or none thinnings is required, just enough to make the paint smooth. 2-3 layers is usually need with the execption of yellow which can be a real pain in the you now what.

When basecolour is dry, start painting first shadow. The paint for highlights and shadows should be more diluted, to a point that it almost doesnt cover. Let the paint be until the surface looks dry and then blend it by dipping the brush in White Spirit etc. Take a rag and drag the brush through it so only little , little sovent is left in the brush. No solvent should come out from the bristles when you touch something with it but the bristles should feel a little damp. Then start blending by dragging the tip of the brush along the edges of the shadow or highlight to be blended. With a little more solvent in the brush it can be used as an eraser to correct mistakes or trimming lines that could need some touch up. Wait over night to led dry before putting on the next shade of shadow or highlight.

Its a bit slow method but on the other hand your playing it safe to have every shadow and highlight thorougly dry before putting on the next. When you feel more secure you can use a hairdryer to speed up the process and do all the shading and highlights of a certain colour in 2-3 hours or less. I know Mike Blank works with Humbrols wet in wet but I think Im not ready for that yet. :lol:
 
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