After our Ataman is done ready on the back, I have today painted the "invisible" side - with pure black ...:
This because for Ivan Sirko will move tomorrow!
At Christmas I got from two friends a beautiful base.
A word about the name tag: In the sources there are three different spellings of the surname of our Ataman: "Sirko", "Syrko" and "Serko", depending on whether the name from Polish, Ukrainian or Russian is derived. In some sources of these different spellings even rolled merrily confused ...:
The most common - derived from Ukrainian - spelling is "Ivan Sirko" with "i" (= И). And like that - Иван Сирко - it is now on the plate.
Normally I mount a figure until after the entire painting on their presentation base - but this time I decided to make it now.
Reason: Just below of the bust at the end several small parts (pistol whip handle, thong and a fragment sashes) will be mounted. The danger, to break off something while moving is just too great.
Lovely base Martin, I'm not trying to teach you to suck eggs or anything but I always cover my bases with cling film if I have to mount a figure before it's finished to save any paint splash disasters
In order not to mess up the nice part, I make careful preparations ...:
The drilling shop itself turns this time is extremely difficult: A hole vertically from the top - no problem. But this time I have to deviate from the normal twice, to finally get the attitude that I had imagined and the Memorial of Ivan Sirko approximately equal.
The major deviation from the perpendicular I made right at the bust itself, where it is not noticeable later.
Nevertheless, the pin must with very slight reserve anchored in the base, just so light that e matches later and still can not remember.
Most of the time I have today spent to secure the beautiful base against my vandalize efforts in further work on my bust. Two lengths kitchen foil and a layer of painter's tape shall prevent this.
I also have resculpted the gold braid on the collar at one side. The edge was at my copy from the cast somewhat "fuzzy" ...
Now I take the little cross that bears our Ataman's neck.
If you look at pieces from the 17th Century precisely once ...
...You can see, that the crosses - even if they are polished - not as bright flash, like our current silver. This not only because of their age, but also with the less pure alloys that were used at that time.
I decided therefore to blend my silver with "Oily Steel" (about 50:50) to produce a nearly dark silver tone.
After a thin coat of the cross gets two waschings with Silber-/Oily-Steel to which I then mixed into still black.
The first - rather dark - wash gets the outside of the Cross, a brighter tone as if the sublime insides.
The tape on which Ivan Sirko carrying the cross around his neck, I simply painted "black", but so that I have “taken with me” the darkness and lightness of the surrounding skin parts.