Completed Critique Marshal Jean Lannes, Duke of Montebello 1809

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Hi Colin, As mentioned already. A piece of Art. I like the embroidery too.
Can you describe the steps to get this result?
I use burnt umber on top of acrylic golden yellow and then start to use oils as golden ocre and naples yellow and white in steps.
What do you think?
 
Colin this is a triumph.

I had every faith in your determination to complete this.

You also mentioned Before Colbert about your methodology for the paint technique.

To say it's all come together well would be a ridiculous understatement.

This is magnificent, as an observer, it's been so worth waiting to see the unveiling.

Congraatulations mate.

Paul


Colin,

All I can do is agree with this fellow PD , can't speak as my jaw has dropped!

Stunning

Nap

Nap
 
Hi Colin, As mentioned already. A piece of Art. I like the embroidery too.
Can you describe the steps to get this result?
I use burnt umber on top of acrylic golden yellow and then start to use oils as golden ocre and naples yellow and white in steps.
What do you think?

Thankyou for the kind words. I actually almost gave up on this fellow a few times. There are some things I am not happy about but if you don't see them I am not going to point them out ;-) every piece is a learning opportunity and a chance to improve for next time.

The gold lace is:

Base sepia lightened with cadmium yellow to produce a dirty green.
Lighten with more cad yellow and ivory white (sorry I didn't track proportions)
Lighten with still more cad yellow and a greater amount of white
Note - the yellow gets mixed in to the highlights to avoid the white turning the base a light dirty green
High highlights are naples yellow and ivory white
It is important to let the various stages dry or the highlighting just blends and bleeds and changes the colour of the base coat

You can see it best in close up.

image.jpg


Blue coat was ultramarine and black
Lightened with ultramarine
Lightened with ultramarine and flesh tint.

The coat is actually a bit light as the real ones are almost black (see the two portraits above). Sadly if you paint a miniature like that you don't get to do any shading and it looks as if you haven't done anything.

Hope that helps
 
Hi Colin,
Good on you for picking yourself up after the previous failure. A marvellous piece of work, these unique Napoleonic sculpts are your signature pieces. I applaud your skill with putty and paint and always look forward to your next project.
cheers
Richie
DURNFORD;)
 
I'm getting tired of saying this, Colin, since I'm proven wrong every time, but THIS one is your best yet. The masterful sculpting goes without saying by now, but the painting is some of the strongest yet seen from you, IMHO. The addition of the 5 o'clock shadow is my favourite touch; I think it makes this more human, a portrait of a flesh and blood person and less of a copy of a period painting.

Looking forward to seeing it at the next meeting!

Cheers,
Brian
 
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