Hi Colin, As mentioned already. A piece of Art. I like the embroidery too.
Can you describe the steps to get this result?
I use burnt umber on top of acrylic golden yellow and then start to use oils as golden ocre and naples yellow and white in steps.
What do you think?
Thankyou for the kind words. I actually almost gave up on this fellow a few times. There are some things I am not happy about but if you don't see them I am not going to point them out ;-) every piece is a learning opportunity and a chance to improve for next time.
The gold lace is:
Base sepia lightened with cadmium yellow to produce a dirty green.
Lighten with more cad yellow and ivory white (sorry I didn't track proportions)
Lighten with still more cad yellow and a greater amount of white
Note - the yellow gets mixed in to the highlights to avoid the white turning the base a light dirty green
High highlights are naples yellow and ivory white
It is important to let the various stages dry or the highlighting just blends and bleeds and changes the colour of the base coat
You can see it best in close up.
Blue coat was ultramarine and black
Lightened with ultramarine
Lightened with ultramarine and flesh tint.
The coat is actually a bit light as the real ones are almost black (see the two portraits above). Sadly if you paint a miniature like that you don't get to do any shading and it looks as if you haven't done anything.
Hope that helps