Joe55
A Fixture
Like the shot of your work area Mike. Its a little view of your passions.
Joe
Joe
Like the shot of your work area Mike. Its a little view of your passions.
Joe
Nothing wrong with clutter Mike, as someone once said "If a cluttered desk is the sign of a cluttered mind, whats an empty one"
Nice mate
My saving grace is I now only work on painting one project at a time.
This helps both completion & focus some how...
Mike, how are you able to do just one project at a time? I've got at least 6 that I can see on the desk at the moment, not including some started and put back in their box lol. I get bored just concentrating on just the one, probably why my output has plummeted.
Cheers Les
Yes a great game, the rugby is what stops my modelling, as is usual a beer always goes with it so no painting at all Fri/Sat/Sun. Whats happened to your Chiefs?
Still in with a chance mate, heading up there next weekend.
Just starting on helmet & recall your comment on Maori dude so will work on it to get a decent grungy look as I weather it up.
Till next time
Mike
Mike, thanks very much for the detailed answer ( with pics !: ) issues I run into with the miniature hobby paints is pigment separation in extreme thinning as your doing for glazes. I`ll try the Jo Sonia if it works OK for you ?
Hi Richard,
Definitely recommend Jo Sonja, never had an issue with pigment separation.
With regards glazes I find Vallejo Glazing medium or Winsor & Newton watercolour Blending Medium both useful to help me thin most acrylics. Have you tried either of these?
Useful?
Mike
Wow. Nothing more to say because all was said before. Only one question: Is the position of the head correct? For me it looks a little bit wrong
Wow Mike, The painting is really outstanding! I would call it "unreal" but, in fact, it is quite realistic!
I have to agree with Ulrich though: the head and neck look unnatural the way they are posed. The neck seems too upright and the head twisted at an awkward angle. You might be able to do this, but it would be horribly uncomfortable. Perhaps a little twist back toward center (straight ahead) would help. Check the figure's adam's apple. This should always be in the the center right above the gap between the clavicle bones. It is the one part of the neck that does not move. The other thing that would help is to drop the head forward a bit more toward the front opening of his collar. The neck SHOULD angle forward from the top of the torso. The way the figure has it so stiffly upright just looks wrong.
It would be a shame for such masterful painting to be spoiled by faulty assembly - or perhaps, an easily alleviated anatomical hiccup on the part for the sculptor....
Keep up the good work!
Cheers!!
Mike
Wow. Nothing more to say because all was said before. Only one question: Is the position of the head correct? For me it looks a little bit wrong
Wow Mike, The painting is really outstanding! I would call it "unreal" but, in fact, it is quite realistic!
I have to agree with Ulrich though: the head and neck look unnatural the way they are posed. The neck seems too upright and the head twisted at an awkward angle. You might be able to do this, but it would be horribly uncomfortable. Perhaps a little twist back toward center (straight ahead) would help. Check the figure's adam's apple. This should always be in the the center right above the gap between the clavicle bones. It is the one part of the neck that does not move. The other thing that would help is to drop the head forward a bit more toward the front opening of his collar. The neck SHOULD angle forward from the top of the torso. The way the figure has it so stiffly upright just looks wrong.
It would be a shame for such masterful painting to be spoiled by faulty assembly - or perhaps, an easily alleviated anatomical hiccup on the part for the sculptor....
Keep up the good work! Cheers!! Mike
Stunning Mike, hope you can reposition the head without too much drama.