Tubby-Nuts-REMOVED
Guest
Hendryk,...... This is why this forum is so good!.. As it opens avenues! Names, Links, a lot of which I have never heard of. This will be interesting to look at. Thanks.
One thing that comes to mind in all of this discussion, is how unhappy we, as a collective, feel about the current downward trend in quality amongst certain major players in the industry today. Alongside that there is a lot of praise for the smaller players such as Moz, Carl Reid and many others, and rightly so
The white metal that Métal Modèles use is similar in quality if not the same to what Poste Militaire used.
An anecdote : I used to know a guy who was a wonderful sculptor, and he sometimes would cast some bits and pieces for himself, and as material he used the bases that come with figures - nobody hardly ever uses them.
This was his verdict : the white metal in most kits is of average quality - but the white metal in a Poste Militaire or a Métal Modèles kit is of superior quality - "it just flows like wine when you melt it and cast with it" that's what he said.
Moz, in my opinion offers real value for money, especially when you take into account his recent free figure offers.
I believe Ray used to use the same moulding process that Ceremonial Studios used, which was vulcanising rubber discs within a metal ring. The process involves building up layers of soft rubber and positioning the figure parts within this. The skill is to understand the properties of the metal used when it is to be poured (correct metal temperature is critical) so that it flows correctly into the mould when it is spun in the centrifugal casting machine and gives a clean crisp casting. When the parts are sandwiched between the layers of rubber the whole thing is put into a press consisting of two hotplates which reach a temperature of around 100 degrees and a pressure of 13 tonnes. Some masters don't survive this process intact, particularly if they are made of multiple materials such as metal, miliput etc. For example Richard Almond used to solder all the braiding onto a hussar jacket and occasionally the solder would melt during the mold making process, so sometimes just the one mould is all that exists. Alternatives to this problem included making a cold cast version of the original master for use in the vulcanised mould but invariably resulted in a loss of detail and impacted on the perfect fit of parts. I don't know if new methods are used today for white metal casting but I'm guessing issues around mould life/quality are responsible for the issue of QC.As Alex said earlier, Ray was fastidious about changing moulds and, whilst the moulding process is a black art to me, I do remember him saying that this was part of the costing of any new figure. Surely all manufacturers take this into account when pricing a figure as it would be a consumable.
Ron
If that is your observation I understand your frustration. What I wanted to point out is that your thread started about PM vs Pegaso and not about small players vs big players et all. Especially about one of the small players there seem to be two fractions on this forum and their game started already again.So what do we get for the money??.. Probably, more fixing, Filling, sanding and pinning etc! granted! .......... However, when there are sizable gaps, and ill-fitting components, obsure, almost pointless glue points! then I feel I need to ask why. Don't get me wrong, 'Pegaso', do some wonderful figures, but the quality has huge variation. probably more so in recent years. But this is just my own observation.