WIP Private 7th Fusiliers 1854

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Thanks for this Roger. Great tip about using the oils lightly. When I first started I had bloody oil paint everywhere, mainly on me, and far too thick trying get the colour right, rather than have the white base showing through below. What a mess! Now with an acrylic base of the colour being used, the light coat works well.

Chris

You're welcome Chris.
That's a familiar story. When I first started with oils I painted some 30mm flats, went to sea for my month at work, came home and they were still wet! :LOL:
 
This is Great Roger,
When you read these instructions or told them it dosn't seem to come across as well as being shown.
I take it the same principle with the cylinder can be used with rounds.
Keep it up and coming.
Mick
 
Hi Roger,
This is going to be very interesting.
I always try to get the directional light source but it frequently ends up subtle (polite word for not noticeable ).
Don't give too much away but are you looking make the light and shade in high contrast?

I must put in a word for Ken's work. Although I have not put my toe into the Flats water I often visit his Web site and never fail to be amazed by the quality and price. The Crimean Collection is very tempting.
Press on with glee Mate you are back with your first love
Keith
 
Hi Roger,
This is going to be very interesting.
I always try to get the directional light source but it frequently ends up subtle (polite word for not noticeable ).
Don't give too much away but are you looking make the light and shade in high contrast?

I must put in a word for Ken's work. Although I have not put my toe into the Flats water I often visit his Web site and never fail to be amazed by the quality and price. The Crimean Collection is very tempting.
Press on with glee Mate you are back with your first love
Keith


Thanks keith, glad you find it interesting. I have had another look at it this morning and have decided the shadows need deepening some more. Personally I think when painting red it's best to go for deep shadows as it's a pretty difficult colour to highlight.
 
Looking great so far! It's great seeing how to interpret the volumes on flats with proper lighting and shading... looking forward to seeing more (y)

Regards,
Phil

Thank you Phil.

A bit further.

I used some Paynes Grey for the deepest shadows.
IMG_4911.JPG

This was again blended with a soft dry brush.
I also used added some transparent glazes of heavily thinned red to make the transitions between light and shade smoother. This is best done on a dry surface, I think I might just have got away with it here.
I also used the same technique using some Naples Yellow to strengthen the highlights.

IMG_4914.JPG

Cap and trousers undercoated with Andrea acrylic Navy Blue.

If anyone has any comments or suggestion for me to improve my technique please feel free to do so.
 
Hi Roger,

This is going to be very interesting.



Press on with glee Mate you are back with your first love

Keith


Don't say back with his first love Keith or this SBS will never happen, have you ever tried to prise the bottle out of a drunken sailors hand:rolleyes::LOL:

Looking forward to this mate, good job your not doing a Greek subject, dipping your brushes in that Ouzo does no good for reshaping the brush point.

I'll be watching this with real interest as I have a complicated flat to tackle at some point.

cheers
Richie
 
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