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So....You want to build a HISTOREX figure

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Nap

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Hi Everyone

Modeller David L. Stokes from the Small Subjects Historex FB group has kindly agreed that I can share the WIP , he is updating approximately weekly and I will do the same here

THANK YOU DAVID
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Here are some helpful links if you are new to the world of Historex:

http://www.historex.com/ - The official site of NCO Historex.

They list all of the kits that have ever been released. You can also buy individual "spare parts" sprues separately.

https://historexagents.com/ - Retailer in England which carries Historex.

https://www.amazon.com/Napoleonic-Plastic-Figure-Modelling-Masterclass/dp/1859150195 - Bill Ottinger's book on building Historex figures. This book is well worth getting.

Here's a good article on the history of Historex: https://www.boxdioramas.com/

Background from David

It is time to begin a new project. Two people who greatly influenced me in this hobby, the late Bill Ottinger and the late Bob Knee, both drummed into my head to start and finish one project at a time.
I have largely followed this advice. This does not mean that I do not think about future projects will working on the current one. While the previous Light Horse piece was in process, I took some time to have my Rigo Plates printed and to organize them into notebooks. During this time, I came across Plate 88, Trumpeter of the St Germain Cavalry School. This figure really caught my imagination and has become my next project.

As part of this, I decided I would document my process of building a Historex figure in a step by step (SBS) format. Also, this gives me a way to pay homage to my friend, Bill Ottinger, for all the advice and support I received over the years. Bill loved Historex, evidenced by his excellent book on the subject, and enjoyed sharing tips and instruction. So, let us be about it.

What intrigued me by the Rigo plate was the realization that this figure could easily be recreated using Historex parts. The saddle and pistol holsters are the same style as the Empress Dragoons. The Trumpeter’s helmet is a la Minerva, like the Empress Dragoons, except it has a wool chenille instead of a horsehair crest. Like a Line Dragoon Officer. The coat is a long tailed, nine buttoned surtout, common second dress for Dragoons. It is unusual because it has lace/braid on every button hold, The Surtout’s worn by line trumpeters have the lace/braid on alternating buttons. Historex does make a body with the nine rows of lace/braid. I could not find one in the parts bins on my desk and did not go looking in my reserve boxes (I was being a bit lazy). However, as I intend to animate the figure and will be cutting it apart this was not a concern. The Trumpeter’s sword is in the dragoon style.

Although an Empress Dragoon kit would provide most of the parts, I just starting rummaging through my parts drawers and collected what I needed. As most Historex builders know, after a few years of building Historex kits, you begin to develop a good collection of spare parts. Add to that partially build kits and/or old collections that can be picked up at Flea Market tables at many miniature figure shows and you have a solid resource to build any figure you want. I have attached a photo of most of the parts I have assembled for this project. You may notice that I did include coattails. I prefer to make my coattails out of rolled out epoxy putty, as this gives me better control on the draping of the coattails. As this project progresses, I will share pictures of each stage of the build.

In addition to the already mentioned picture of the various parts, I have attached a photo of the Rigo Plate and two shots of my workspace ready to begin.

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First up is the cleaning up mold lines and such.

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While I always welcome and encourage comments, critiques and questions, during this project they will be especially desired.

Here’s the first instalment

ENJOY ....I believe a cat is a must ...lol

As we begin the process of building a figure from Historex parts, let me emphasize that this is my process developed over 38 years of building Historex kits, talking with other modelers, and reading articles of how others build Historex kits. I am always trying new methods or processes. If someone has a different, better (I define better as easier with comparable or improved results.) method or process I am interested in and willing to adapt/adopt it.

In the first installment I included pictures of my workspace/desk. I have added another to show an essential element of any modelers’ table, the hobby cat. This is Oreo, my 15-year-old female Tuxedo, I have two 8-year males as well. They may hang out in my office, but the table is Oreo’s domain. She came to us from my son and immediately determined I was her human. As you can see her “spot” is an open drawer, in this case my paint drawer. She is on my box of Vallejo paints, there is a cardboard cover to keep the paints from getting put out of order.

The first stage to building a Historex figure, after you collected your parts/opened a kit, secured your references is the most tedious and important, clean up/figure prep. I will own that I am not always as diligent in this phase as I should/could be. But removing mold seams, undercutting pockets, lapels or anywhere to different pieces of clothing meet and checking/adjusting the fit of parts together is important. It helps ensure the best possible results in the finished product. In addition to mold seams, I usually scrape off molded on lace detail. As with this piece, many times the molded-on detail does not match what is needed with the figure in question.

Cleanup of mold lines is accomplished using an X-acto knife with a # 11 blade, files, sanding sticks and sanding film. For sanding sticks, in addition to round disposable sanding sticks/needles I use emery boards. They are inexpensive and easily sourced in most grocery/drug stores. The clean up process also includes cutting off the molded-on horse harness. Yes, I usually feel a little trepidation in removing this nicely molded detail. Accouple of articles I read in British Hobby publications by Dr. Mike Thomas, led me to removing the mold harness and replacing it. Dr Thomas used electrician’s tap with the adhesive removed. I found I prefer copier paper painted with acrylic hobby paint. I would use Historex buckles to replace those lost due to my earlier surgery. Prior to adding the harness, I would also repair the areas damaged in removing the harness with putty. The Historex catalogues had detailed line drawings of the French and Hungarian styles of harness. I photocopied each page and laminated them as a handy reference.

Now begins the fun part, horse butchery. For this project I decided to use the Historex # 6 right horse half. However, no single left half gave me the exact pose I wanted. Therefore, I cut #9 and # 11 left halves apart. You will see in attached photos where I used a right quarter to mark where to make the cuts on each left half. As with carpentry, measure twice (three times is better) cut once. Once cut apart, I clean up the edges and glue the sections I need together. In this case, the front quarter from the #9 half and the rear from #11. I used liquid plastic cement for this and added plastic strips inside for strength. For plastic on plastic, I like the liquid plastic cement, I use Testors, because I feel I get a stronger bond. After the plastic cement has cured, I flood the inside joint with 2-part epoxy cement to reinforce the joint.

From the photos, you will note that I routed out a grove in a leg on each half. This is to run a brass rod as support and to provide an attachment point to the base. I drill up through the hoof into the ankle as I do not like rebuilding the hoof. Also, if the pose requires it, I can reposition the ankle at this point. I learned this from a fellow modeler when I lived in Atlanta, Dan Osier. Although, somewhat overkill on standing/walking horses, it is a practice I keep up out of habit, you will notice that on the front leg I ran the rod up through the body and out the neck. I usually cut the horse’s head off the neck and rebuild the neck with putty. I find repositioning and rebuilding the neck easier than trying to reposition the molded neck. The brass wire is secured into the grove with 2-part epoxy cement and then the leg detail is rescuplted with 2-part epoxy putty, Magic Sculpt, in this case.

After, the putty has cured, the rework checked and the whole sanded/polished, it is time to join the halves. As this is to be a heavier horse, I typically “beef” up the horse. I am not sure of the exact thickness of the plastic sheet I used as my sheet plastic stock has become jumbled together over the years. For dragoon and larger horses, I completely cover one half and will add a piece to the lower part of the other half to “beef” up the chest. For cuirassier horses I have used the plastic base/plinth supplied in the kit to provide the exact width. Again, because it is a plastic-to-plastic joint, I used liquid cement to join and clamped the halves together. I used cloths pins when clamping the sheet plastic to the two halves, but they are not as effective clamping the halves together and I am not satisfied with the screw clamps.

After carefully measuring I added the horse head to the end of the bass pin and roughed in the neck with Magic Sculpt. The next step is to putty the joints and then sand them smooth. From the last pictures you can see were I have filled the joints with 2-part putty, here I used Aves Apoxie Sculpt. It is a little softer and I like using it to fill joints. In the next installment I will include a discussion of the various putties I use and why.

This concludes this week’s installment on this project. I hope I did not bore you too greatly and that I provided useful information. As always, your comments, critiques and questions are welcomed and encouraged.

Click on for larger images

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Nap
 
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I've seen this somewhere before, oh yeah I remember! I have seen some of David's work.on the small builds site and it is quality. I'll be watching and learning as much as I can from this, we'll done for getting the share Kev.

Cheers Simon
 
I have been following his work on FB as I am a member of the Small Subjects Historex Group.Reposting and updating his article here is a fantastic initiative Kevin.

Oda.
 
This takes be back to my teens and the superb work on show at the Model Engineer Exhibition (now defunct).

Mike
 
Great article. I've got a project in 54mm that I'll use this as reference.
Looking forward to more.
Thanks!
 
Next instalment from David

To begin this, the third installment of the Trumpeter, St. Germain Cavalry School SBS, let’s discuss putties, glues and adhesives.

The first photo shows the various putties I use when building a figure, Magic Sculpt, Aves Apoxie Sculpt, Kneadatite/Duro, Squadron White, Vallejo Plastic putty and my jar of “Goop”, plastic sprue dissolved in Tester’s liquid cement. From the previous post, you saw were I used Magic Sculpt to rebuild the leg after inserting a brass rod and to form the base structure of the neck. I use the Magic Sculpt to build up areas that I have cut apart and animated using wire. When freshly mixed I can roll it very thin and use it to detail turnbacks, labels, etc. Mixing Kneadatite with Magic Sculpt lets me roll out sheets to use for coattails and such. The two putties combine give both strength and elasticity to coattails, etc.

I have found I like the texture, softness, of the Aves Apoxie Sculpt for general putty work, filling seams, smoothing rough areas and such. Combined with Kneadatite the Aves works well for rebuilding/sculpting bodies, legs, arms and so on. I used this mix to resculpt the horse’s neck. The seams between the horse halves were filled with straight Aves.

I use the Squadron White putty to fill small blemishes. Recently, I discovered the Vallejo putty and have been using it instead of the Squadron Putty. I believe every Historex builder needs their own little bottle of “Goop”. This ‘liquid plastic” is excellent

For building up areas that are going to be textured with a pyrogravure.

The second Photo shows the various adhesives I use on a figure. The first is a two-part 5-minute Epoxy, which I use were I need a strong bond, re-enforcing horse halves, securing brass rods in the horse’s legs, and securing the figure to the base. Next is the ubiquitous super glue, both a gel and thin variety. My preferred brand is Loctite. Last is my liquid plastic cement, Testors in this case. This is what I use when gluing plastic to plastic, it gives the strongest bond as it melts and welds the two pieces together. You need to be careful as you can dissolve surround detail.

At this point all seams have been filled and sanded smooth, the neck has been rebuilt, and the tail has been added. Although, there are many who use crepe hair for manes and tails I prefer the Historex part, although I have made tails out of putty to get the effect I want. Next is to detail the horse tail with my pyrogravure, add the horseshoes and start adding the girth straps.

I had noted in the last installment that I use painted copier paper for straps and harnesses. For this build I am trying something a little different. I have an old pack of onion skin typing paper. I painted a piece with craft acrylic black and cut several strips. Because the onion skin is so thin the paint has soaked through.
Next was to add the saddle. I have learned over the years it is best for me to wait to add the crupper straps until I get the saddle properly fitted and any adjustments to the horse’s rump made.

The Historex French Officers Dragoon/Heavy Cavalry saddle is one piece. Although I could fit the saddle to the widened horse I prefer to cut the saddle into two pieces. This way I get a more secure fit. Again the seam was filled with Aves putty.

Next steps are to add the bits and harness as well as chest and crupper straps. This has been a busy week and weekend, so progress has been slow.

The last photo is of my current rig for my pyrogravure and several of the different tips I use.

As always, your comments, critiques and questions are welcomed and encouraged.

Have good week and go cut on some plastic.

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Nap
 
Ah ha, and there was you suggesting I buy a 75mm stock item!!! Give it a go mate they are more fun than the ICM plastics and they turned out beautifully.
Well, I do have some in the stash. But I have so many projects on the go.... But maybe next year.....
 
Hi everyone

David’s next update ..click on pics for larger images

In this instalment of the SBS build of the Trumpeter St. Germain Cavalry School we wrap up the major work on the horse.
As noted last time I have added horseshoes. In this case the photo etched parts Historex began providing years ago. I still have numerous sets of plastic shoes and use whichever strikes my fancy at the time.
Note, being more than slightly anal retentive/OCD, I put shoes on all four hooves regardless of whether they are standing or elevated. Do not ask why, it just feels wrong otherwise.

When I’m building a piece, I will frequently run down “rabbit holes” trying new things.
A few months back I saw a post where a modeler, Glenn Lamb, was using photo etched brass buckles.
After an exchange of messages, I purchased several sets of the Aber etched buckles and belts. “She Who Must Be Obeyed” has had these to the list of my insanities, right beside my punch and die set for buttons. I found them a bit “fiddley” but with some patience I’m happy with the results.

To start adding the harness to the horse, I glue a brass rod for the bits. Then some horse dentistry, I used plastic sprue to add teeth to the open mouth. Next, using the harness drawings from the Historex catalogue as a guide I added the harness. The bits were drilled out and glued onto the brass pin. I chose to add the snaffle harness, even though none of the illustrations showed this harness being used.

I removed the molded-on straps and buckles from the portmanteau and replaced with paper straps and brass buckles. The pistol holsters had mounting pins added and the horse/saddle had holes drilled in the appropriate location. Finally, the location for the grenades on the shabraque were measured and the grenades glued on.

At this point the horse is largely compete, with Historex there is always more than can be done.

So next it is on to butchery on the rider. One can get just a little twisted in their view of fun doing this hobby.

As always, your comments, critiques and questions are welcomed and encouraged. Have a good remainder of the week/weekend and go build something.

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Nap
 
Great piece David, I can see the attraction for removing the moulded on bridle etc now, it does look a lot better.

What is the advantage though of adding a rod through the horses head for the bits? I noted this in Bill Ottingers book as well and I remember being talked to doing it in the 80's/90's when last I made Historex.

Cheers Simon
 
I drill out the boss on the bit and slide it over the brass rod. This gives me a better attachment point and helps keep the bits aligned.

That makes sense David, plus I would imagine it makes replacing them a whole lot easier, I generally snap.one of them!

Cheers Simon
 
Another refugee from Small Subjects here where I’ve been reading David’s excellent articles. Everything you ever wanted to know about building Historex kits in one convenient location - and if you’ve already been building these kits since the year dot it’ll take you back to reading the Historex catalogue under the bed clothes with a torch. :)
 
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