Lancer
Well-Known Member
Thanks Guys
I always considered an airbrush as just another tool. Initially I started out just roughing in base colors, then I started adding shawdows and highlights until finally I was looking at a piece and couldn't think how I could improve it anymore with oils.
For those who might be curious, the trick is a good compressor with an air regulator. I stripped my Badger 150 so I can manipulate the needle from the end as well as the trigger. I use super thin paint and spray at about .5 psi (the needle on my guage never leaves 0), it's time consuming because you have to do multiple passes to get the colors showing. I once signed a check to show some friends how fine a line you can get this way!
As for my former student , no worries. When you have been to SCHAAMS and MFCA and other shows you quickly learn who the true figure painters are, and I'm glad to see some of them here at Planet Figure. If he ever gets to a show or online here he'll find that out as well!
Thanks very much guys!
Mark
I always considered an airbrush as just another tool. Initially I started out just roughing in base colors, then I started adding shawdows and highlights until finally I was looking at a piece and couldn't think how I could improve it anymore with oils.
For those who might be curious, the trick is a good compressor with an air regulator. I stripped my Badger 150 so I can manipulate the needle from the end as well as the trigger. I use super thin paint and spray at about .5 psi (the needle on my guage never leaves 0), it's time consuming because you have to do multiple passes to get the colors showing. I once signed a check to show some friends how fine a line you can get this way!
As for my former student , no worries. When you have been to SCHAAMS and MFCA and other shows you quickly learn who the true figure painters are, and I'm glad to see some of them here at Planet Figure. If he ever gets to a show or online here he'll find that out as well!
Thanks very much guys!
Mark
