All that gorgeous detail is starting to pop out now Colin. The end is now in sight isn't it.
I am intrigued to see your treatment of the pouchbelt and it's fittings.
Have you decided what finish you will use for the bright metals?
All that gorgeous detail is starting to pop out now Colin. The end is now in sight isn't it.
I am intrigued to see your treatment of the pouchbelt and it's fittings.
Have you decided what finish you will use for the bright metals?
Gotta see this in person!
Tell the OL you're taking a nap, stuff a couple of pillows under the blankets, put on a tape of you snoring... Ba-Da-Bing! You're at the meeting having more fun than I guy can have outta prison. Like Ferris Beuller's Day Off
Mrs F is the one trying to drive me out the door to play with my buds. I am the laggard as the house reno is starting to depress the sh*t out of me and black moods don't incite good modelling. Thanks for the pep talk sir!
Paul - the fur was undercoated sepia and high highlights added with raw sienna + sepia + white and then almost pure white. Next step once thoroughly dry is to glaze with Payne's grey + raw sienna + white (a warm mid grey) to fill in the dark pockets and darken the highlights. That should take away the high contrast sponge effect you see now. I will then be highlighting with a very light grey using the portrait as a guide.
Dimitry -I am still working on the irises of his eyes. The catchlighting is too large and the wrong shape.