Cheers all!
Mike, I was supposed to add a ring and then forgot, I'll have to remember to do one up, more things for the light to bounce off.
Nap, the good brushes are Artis Opus Series S 0 and 00, absolutely fantastic. I was using a Vallejo regular sable for most of the work up to now, they're surprisingly good and excellent value for what I paid, but, for sheer painting joy, Artis Opus. With the price tag, they come out only when absolutely needed and worth every penny. I wish I had a lot more pennies because I know what they'd be spent on.
Getting on to our update, I got the lantern lighting sorted out, almost. I got the lighting on the doctor looking good, if not exaggerated at the moment, but realised my lighting on the bollard and jetty were off a bit. I had glued the lantern to the sleeve so it would point downward a bit more to lend credence to the light bouncing off the stonework, I then had a closer look at the angles and saw there should be a split down the centre of my light on the bollard because of how the lantern is oriented. That also meant my rearmost pool of light shouldn't be there and will have to get fixed. Tricky stuff this light. I did a bit more work here and there and this is what we have now:
And here you can see what I mean with the split light. The doctor shifted a bit so it's not aligned dead on, but you should be able to see what's going on. The frame of the lantern is acting as a divider and you have two distinct cones of light. So I'm imagining that you should have a band of shadow in between the two, which is reinforced by the two pools on the stonework. I think the shadow may have to be even wider, need to do some careful measuring...
Apart from it appearing as if the doctor is on fire and the lantern is a raging inferno, I think it's progressing nicely. The light will get toned down when I add a glaze of the fabric and stone/bollard, the lantern needs a think. Next I'll have to work on the stones to darken them up a bit and get some serious shadow going in the cracks and chips, then a moonlight filter to better see the whole scene and put it up against a dark background.
Kimmo