Hi Nigel
Nice to see you posting on here and great to se how this is shaping up
(I had a good look at the St Chamond dio Nigel made recently and it's fab. If you ever get the chance to look at it you'll have to guess how much barbed wire Nigel hand knitted for it. . . . I'll guess you'll be out by at least a factor of two!)
Back to the current program which is progressing very nicely if I might say so. For what it's worth I think the officer in front is a bit of a distraction from the main event which is the horror of the man watching his comrades being mown down, so I think the first grouping with the five charging soldiers, but without the officer works best (He's a nice figure that would stand alone anyway so nothing lost) Try covering over the image with your thumb to see the effect. (I wouldn't even add the standard bearer to this grouping because the colour will be another distraction IMO)
With the other soldiers behind looking ahead only our hero and the viewer realise what is happening. You could enhance the effect by having the falling figures in the foreground very slightly lower so the eye is lead up to our hero and subdue the colours or faces of the figures behind going for maximum contrast on the horror of the central figures face.
Inspiring stuff keep it up
Paul
Nice to see you posting on here and great to se how this is shaping up
(I had a good look at the St Chamond dio Nigel made recently and it's fab. If you ever get the chance to look at it you'll have to guess how much barbed wire Nigel hand knitted for it. . . . I'll guess you'll be out by at least a factor of two!)
Back to the current program which is progressing very nicely if I might say so. For what it's worth I think the officer in front is a bit of a distraction from the main event which is the horror of the man watching his comrades being mown down, so I think the first grouping with the five charging soldiers, but without the officer works best (He's a nice figure that would stand alone anyway so nothing lost) Try covering over the image with your thumb to see the effect. (I wouldn't even add the standard bearer to this grouping because the colour will be another distraction IMO)
With the other soldiers behind looking ahead only our hero and the viewer realise what is happening. You could enhance the effect by having the falling figures in the foreground very slightly lower so the eye is lead up to our hero and subdue the colours or faces of the figures behind going for maximum contrast on the horror of the central figures face.
Inspiring stuff keep it up
Paul